Heinlein, Robert A – Friday

Next day I resolved to stick to serious study of professional subjects in which I was weak, because I felt sure that once my tutors (whoever they were) assigned my curriculum, I would have no time at all for my own choicesÄearlier training in Boss’s outfit had taught me the need for a twenty-six-hour day. But at breakfast my friend Anna asked me, “Friday, what can you tell me about the influence of Louis Onze on French lyric poetry?”

I blinked at her. “Is there a prize? Louis Onze sounds like a cheese to me. The only French verse I can recall is `Mademoiselle from ArmentiŠres.’ If that qualifies.”

“Professor Perry said that you are the person to ask.”

“He’s pulling your leg.” When I reached the library Papa Perry looked up from his console. I said, “Good morning. Anna said that you had told her to ask me about the effect of Louis the Eleventh on French verse.”

“Yes, yes, of course. Would you mind not bothering me now? This bit of programming is very tricky.” He looked back down and closed me out of his world.

Frustrated and irritated I punched up Louis XI. Two hours later I came up for air. I had not learned anything about poetryÄso far as I could tell the Spider King had never even rhymed ton con with c’est hon or ever been a patron of the art. But I learned a lot about politics in the fifteenth century. Violent. Made the little scrapes I had been in seem like kiddie quarrels in the crŠche.

I spent the rest of the day punching up French lyric verse since 1450. Good in spots. French is suited to lyric poetry, more so than is EnglishÄit takes an Edgar Allan Poe to wring beauty consistently out of the dissonances of English. German is unsuited to lyricism, so much so that translations fall sweeter on the ear than do the German originals. This is no fault of Goethe or Heine; it is a defect of an ugly language. Spanish is so musical that a soappowder commercial in Spanish is more pleasing to the ear than the best free verse in EnglishÄthe Spanish language is so beautiful that much of its poetry sounds best if the listener does not understand the meaning.

I never did find out what effect, if any, Louis XI had on verse.

One morning I found “my” console occupied. I looked inquiringly at the head librarian. Again he looked harried. “Yes, yes, we’re quite crowded today. Um, Miss Friday, why not use the terminal in your room? It has the same additional controls and, if you need to consult me, you can do so even more quickly than you can here. Just punch local seven and your signature code and I’ll instruct the computer to give you priority. Satisfactory?”

“Just fine,” I agreed. I enjoyed the warm camaraderie of the library study room but in my own room I could take off my clothes without feeling that I was annoying Papa Perry. “What should I study today?”

“Goodness. Isn’t there some subject you are interested in that merits further listening? I dislike disturbing Number One.”

I went to my room and went on with French history since Louis Onze and that led me to the new colonies across the Atlantic and that led me into economics and that took me to Adam Smith and

from there to political science. I concluded that Aristotle had had his good days but that Plato was a pretentious fraud and that led to my being called three times by the dining room wiTh the last call including a recorded message that any later arrival would mean nothing but cold night-rations and a live message from Goldie threatening to drag me down by my hair.

So I rushed down, barefooted and still zipping into a jump suit. Anna asked what I had been doing that was so urgent I would forget to eat. “Most unFridayish.” She and Goldie and I usually ate together, with or without male companyÄresidents at HQ were a club, a fraternity, a noisy family, and some two dozen of them were “kissing friends” of mine.