We followed, encountering one gorilla after another until at last we came across another silverback lying on his side beneath a bush, with his long arm folded up over his head scratching his opposite ear while he watched a couple of leaves doing not very much. It was instantly clear what he was doing. He was mooching. It was quite obvious. Or rather, the temptation to find it quite obvious was absolutely overwhelming.
They look like humans, they move like humans, they hold things in their fingers like humans, the expressions which play across their faces and in their intensely human-looking eyes are expressions which we instinctively feel we recognise as human expressions. We look them in the face and we think, `We know what they’re like,’ but we don’t. Or rather we actually block off any possible glimmering of understanding of what they may be like by making easy and tempting assumptions.
I crept closer to the silverback, slowly and quietly on my hands and knees, till I was about eighteen inches away from him. He glanced round at me unconcernedly, as if I was just someone who had walked into the room, and continued his contemplations. I guessed that the animal was probably about the same height as me – almost two metres – but I would think about twice as heavy. Mostly muscle, with soft grey-black skin hanging quite loosely on his front, covered in coarse black hair.
As I moved again, he shifted himself away from me, just about six inches, as if I had sat slightly too close to him on a sofa and he was grumpily making a bit more room. Then he lay on his front with his chin on his fist, idly scratching his cheek with his other hand. I sat as quiet and still as I could, despite discovering that I was being bitten to death by ants. He looked from one to another of us without any great concern, and then his attention dropped to his own hands as he idly scratched some flecks of dirt off one of his fingers with his thumb. I had the impression that we were of as much interest to him as a boring Sunday afternoon in front of the television. He yawned.
It’s so bloody hard not to anthropomorphise. But these impressions keep on crowding in on you because they spark so much instant recognition, however illusory that recognition may be. It’s the only way of conveying what it was like.
After a quiet interval had passed I carefully pulled the pink writing paper out of my bag and started to make the notes that I’m writing from at the moment. This seemed to interest him a little more. I suppose he had simply never seen pink writing paper before. His eyes followed as my hand squiggled across the paper and after a while he reached out and touched first the paper and then the top of my biro – not to take it away from me, or even to interrupt me, just to see what it was and what it felt like. I felt very moved by this, and had a foolish impulse to show him my camera as well.
He retreated a little and lay down again about four feet from me, with his fist once more propped under his chin. I loved the extraordinary thoughtfulness of his expression, and the way his lips were bunched together by the upward pressure of his fist. The most disconcerting intelligence seemed to be apparent from the sudden sidelong glances he would give me, prompted not by any particular move I had made but apparently by a thought that had struck him.
I began to feel how patronising it was of us to presume to judge their intelligence, as if ours was any kind of standard by which to measure. I tried to imagine instead how he saw us, but of course that’s almost impossible to do, because the assumptions you end up making as you try to bridge the imaginative gap are, of course, your own, and the most misleading assumptions are the ones you don’t even know you’re making. I pictured him lying there easily in his own world, tolerating my presence in it, but, I think, possibly sending me signals to which I did not know how to respond. And then I pictured myself beside him, festooned with the apparatus of my intelligence – my Gore-Tex cagoule, my pen and paper, my autofocus matrix-metering Nikon F4, and my inability to comprehend any of the life we had left behind us in the forest. But somewhere in the genetic history that we each carry with us in every cell of our body was a deep connection with this creature, as inaccessible to us now as last year’s dreams, but, like last year’s dreams, always invisibly and unfathomably present.