Marion Zimmer Bradley. The Forest House

Eilan swooped lower, and saw a white-robed woman pacing along the parapet, gazing out to sea. There was gold on the woman’s neck and wrists, gold bound her brow, and her hair was like flame, but she had Caillean’s eyes. A young man emerged from the temple and knelt before her, pressing his head against her belly. As the priestess blessed him, Eilan saw the tattooed dragons coiling up his arms. And it seemed to her that a voice like falling raindrops sang –

“Alas for the land beyond the wave — Alas for the land that none could save — The knowledge lost that gods once gave . . .”

Even as the singing faded, the scene changed. She had the sense that many years had passed. Suddenly the center of the island exploded in a great gout of ruddy flame, and the waters rose like a wall of green glass and swallowed trees and temples and all. Even as the island fell, a fleet of ships sped away from it, leaping through the water like frightened gulls. One with a dragon painted on its sail she followed as it arrowed through the water, faring northward until silver mists blotted out the sun’s radiance, and the sea grew gray and green as the waters she knew.

Now she saw land once more, white cliffs and high grassy downs. Over hill and dale she soared, and came to a high, broad plain where long lines of men toiled with ropes, dragging great blocks of stone. Part of the henge was in place already and she could envision the rest of it. She had heard the Giants’ Dance described often enough to recognize the great circle of stones. The man who was directing the work looked like her father, but he deferred to another who reminded her of Gaius, shorter and dark as a Silure tribesman, but vibrant with power. The second man gestured towards the henge, and she saw the dragons that had been tattooed upon his forearms ripple as the muscles moved.

A wind stroked the high grass of the plain, and when it passed, the scene had changed once more. Fascinated, Eilan watched as one image followed another. Coloring and cast of feature changed as each new people came into the land. But again and again she recognized an expression or gesture that was familiar — her grandfather’s touch on a harp; Lhiannon’s regal grace; and even herself, riding in a chariot like a queen. A tall man rode beside her, and she knew that it was he whose touch had given her access to her own power.

“All that has been will ever be;

The dragon rises from the sea;

Only the wise are truly free -”

came that clear voice from beyond the world.

The last image was of a hill of knobbed granite where the purple heather grew. Chill winds swept eastward from the sea, scouring the rolling fields. In this windswept place real trees grew only along the strait where the island fronted the grim bulk of the mainland. Even as she realized that she was seeing Mona, the scene changed, and Eilan saw men of her own race clad in white, and women in robes of midnight blue, their faces grim as they piled wood into great pyres.

For a moment she did not understand. Then a shiver of light rippled along the opposite shore. She blinked, recognizing Roman armor. The people of Mona saw it too, and suddenly the pyres were blazing. The priestesses danced forward, their shadows contorting as they screamed their spells. For a time the Romans hung back and their leaders harangued them, then the first rank went splashing into the water. The strait frothed as the Legion pushed across it. They came out dripping, but their swords gleamed red in the firelight. With grim precision they pursued the Druids, and their swords dripped with a brighter crimson as they slew all those they found.

For a time then all was silent. The fading firelight gave way to the cold grey of dawn. Ravens were already busy at the bodies. As Eilan watched, they rose suddenly upward, screaming, their wings darkening the sky.

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