The Fun House. By: Dean R. Koontz

of colored lights, rolled up a couple thousand feet of heavy-duty

extension cords. They pulled off the canvas roof and folded it.

Grunting, sweating, they disconnected and stacked the gondola tracks.

They removed the mechanical ghouls, ghosts, and ax murderers that had

terrorized thousands of marks, and they wrapped the animated figures in

blankets and other padding.

They unbolted wooden wall panels, disassembled beams and braces, took

up slabs of plank flooring, skinned their knuckles, knocked down the

ticket booth, guzzled soda, and packed generators and transformers and

a mess of machinery into the waiting trucks, which were checked

periodically by Max Freed or one of his assistants.

Max, superintendent of transportation for Big American Midway

Shows–BAM to its employees and fellow travelers–supervised the

tearing down and loading of the huge midway. Next to the famous E.

James Strates organization, BAM was the largest carnival in the

world.

It was no ragbag, gilly, or lousy little forty-miler, it was a

first-rate show. BAM traveled in forty-four railroad cars and more

than sixty enormous trucks. Although some of the equipment belonged to

the independent concessionaires, not to BAM, every truckload had to

pass Max Freed’s inspection, for the carnival company would bear the

brunt of any bad publicity if one of the vehicles proved to be less

than roadworthy and was the cause of an accident.

While Conrad and his men dismantled the funhouse, a couple of hundred

other carnies were also at work on the midway–roughies,

concessionaires, animal trainers, jointees, wheelmen, pitchmen, jam

auctioneers, short-order cooks, strippers, midgets, dwarves, even the

elephants. Except for the men, now sleeping soundly, who would drive

the trucks off the lot a few hours from now, no one could call it a

night until his part of the show was bundled and strapped down and

ready to hit the road.

The Ferris wheel came down. Partially dismantled, it looked like a

pair of gigantic, jagged jaws biting at the sky.

Other rides were quickly and efficiently torn apart. The Sky Diver.

The Tip Top. The Tilt-aWhirl. The carousel. Magical machineries of

fun, all locked away in ordinary-looking, dusty, greasy vans.

One minute the tents rippled like sheets of dark rain. The next minute

they lay in still, black puddles.

The grotesque images on the freak show banners–all painted by the

renowned carnival artist David “Snap” Wyatt–fluttered and billowed

between their moorings. Some of the large canvases portrayed the

twisted, mutant faces of a few of the human oddities who made their

living in Freak-o-rama, and these appeared to leer and wink and snarl

and sneer at the carnies who labored below, a trick of the wind as it

played with the canvas. Then the ropes were loosened, the pulley

wheels squeaked, and the banners slid down their mooring poles to the

pitchman’s platform, where they were rolled up and put away-nightmares

in large cardboard tubes.

At five-thirty in the morning, exhausted, Conrad surveyed the site

where the funhouse had stood, and he decided he could finally go to

bed.

Everything had been broken down. A small pile of gear remained to be

loaded, but that would take only half an hour and could be left to

Ghost, Gunther, and one or two of the others. Conrad paid the local

laborers and the free-lance roughies. He instructed Ghost to supervise

the completion of the job and to obtain final approval from Max Freed,

he told Gunther to do exactly what Ghost wanted him to do. He paid an

advance against salary to the two fresh-eyed roughies who, having just

gotten up from a good sleep, were prepared to drive the trucks to

Clearfield, Pennsylvania, which was the next stand, Conrad would follow

later in the day in his thirty-four-foot Travelmaster. At last, aching

in every muscle, he trudged back to his motor home– which was parked

among more than two hundred similar vehicles, trailers, and mobile

homes–in the back lot, at the west end of the fairgrounds.

The nearer he drew to the Travelmaster, the slower he moved. He

dawdled. He took time to appreciate the night. It was quiet,

serene.

The breezes had blown away to another part of the . county, and the

air was preternaturally still.

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