THE SUMMER TREE by Guy Gavriel Kay

“Good night then, my lord. And once more, my deepest well-wishes on this brightly woven day.” He walked forward, and on one knee kissed the hand Ailell extended. Then the Chancellor left the room, leaving Paul alone with the King and his page.

“Wine by the table, Tarn. Then we will serve ourselves. Go to bed—I will wake you when I want to retire. Now come, my young stranger,” Ailell said, lowering himself carefully into a chair.

In silence, Paul walked foward and took the other chair. Tarn deftly filled the two glasses set beside the inlaid board, then withdrew through an inner doorway into the King’s bedroom. The windows of the room were open and the heavy curtains drawn back to admit whatever breath of air might slide in. In a tree somewhere outside a bird was singing. It sounded like a nightingale.

The beautifully carved pieces glinted in the light of the candles, but the face of the tall King of Brennin was hidden as he leaned back in his chair. He spoke softly. “The game we play is the same, Loren tells me, though we name the pieces differently. I always play the black. Take you the white and begin.”

Paul Schafer liked to attack in chess, especially with white and the first move. Gambits and sacrifices followed each other in his game, designed to generate a whirlwind assault on the opposition king. The fact that the opposition this night was a king had no effect on him, for Schafer’s code, though complex, was unwavering. He set out to demolish the black pieces of Ailell just as he would have those of anyone else. And that night, heartsick and vulnerable, there was even more fire in his game than usual, for he sought to hide from torment in the cold clarity of the black-and-white board. So he marshalled himself ruthlessly, and the white pieces spun into a vortex of attack.

To be met by a defence of intricate, resilient subtlety. Whatever Ailell had dwindled from, however his mind and authority might seem to waver, Paul knew, ten moves into the game, that he was dealing with a man of formidable resources. Slowly and patiently the King ordered his defences, cautiously he shored up his bulwarks, and so it was that Schafer’s free-wheeling attack began to exhaust itself and was turned inexorably back. After almost two hours’ play, Paul tipped over the white king in resignation.

The two men leaned back in their chairs and exchanged their first look since the game had begun. And they smiled, neither knowing, since there was no way they could know, how rare it was for the other to do so. Sharing that moment, however, as Paul raised his silver goblet to salute the King, they moved closer, across the twin gulfs of worlds and years, to the kind of bonding that might have allowed them to understand each other.

It was not to happen, but something else was born that night, and the fruit of that silent game would change the balance and the pattern of all the worlds there were.

Ailell spoke first, his voice husky. “No one,” he said, “no one has ever given me a game like that. I do not lose in ta’bael. I almost did tonight.”

Paul smiled for the second time. “You almost did. You may next game—but I’m not very certain of it. You play beautifully, my lord.”

Ailell shook his head. “No, I play carefully. All the beauty was on your side, but sometimes plodding caution will wear down brilliance. When you sacrificed the second rider. . . .” Ailell gestured wordlessly. “I suppose that it is only the young who can do a thing like that. It has been so long for me, I seem to have forgotten.” He raised his own cup and drank.

Paul refilled both goblets before replying. He felt drained, simplified. The bird outside, he realized, had stopped singing a long time ago. “I think,” he said, “that it is more a question of style than of youth or age. I’m not very patient, so I play the way I do.”

“In ta’bael, you mean?”

“Other things, too,” Paul answered, after a hesitation.

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