And on the unlit cobblestones a figure paused by the doorway of the tavern and did not enter. The street was empty, the night was dark, there was no one to see. Very silently he listened, and when the song came to an end, very silently he left, having heard the music before.
So Paul Schafer, who had fled from a woman’s tears, and had cursed himself for a fool and turned back, now made his final turning, and did not turn again.
There was darkness for a time, a twisting web of streets, a gate where he was recognized by torchlight, and then darkness again in corridors silent save for the footfalls that he made. And through it he carried that music, or the music carried him, or the memory of music. It hardly mattered which.
He walked a matrix of crossing hallways he had walked before, and some were lit and others dark, and in some rooms he passed there were sounds again, but no one else walked in Paras Derval that night.
And in time he came, carrying music, carrying loss, carried by both of them, and stood for a second time before a door beyond which a slant of light yet showed.
It was the brown-bearded one called Gorlaes who opened to his summons, and for a moment he remembered that he did not trust this man, but it seemed a concern infinitely removed from where he was, and one that didn’t matter now, not anymore.
Then his eyes found those of the King, and he saw that Ailell knew, somehow knew, and was not strong enough to refuse what he would ask, and so he asked.
“I will go to the Summer Tree for you tonight. Will you grant me leave and do what must be done?” It seemed to have been written a very long time ago. There was music.
Ailell was weeping as he spoke, but he said what was needful to be said. Because it was one thing to die, and another to die uselessly, he listened to the words and let them join the music in carrying him with Gorlaes and two other men out of the palace by a hidden gate.
There were stars above them and a forest far away. There was music in his head that was not going to end, it seemed. And it seemed he wasn’t saying goodbye to Kevin after all, which was a grief, but it was a lost, small, twisting thing in the place where he had come.
Then the forest was no longer far away, and at some point the waning moon had risen as he walked, for it brushed the nearest trees with silver. The music still was with him, and the last words of Ailell: Now I give you to Mörnir. For three nights and forever, the King had said. And cried.
And now with the words and the music in his head, there had come again, as he had known it would, the face for which he could not cry. Dark eyes. Like no one else. In this world.
And he went into the Godwood, and it was dark. And all the trees were sighing in the wind of the wood, the breath of the God. There was fear on the faces of the other three men as the sound rose and fell about them like the sea.
He walked with them amid the surging and the swaying of the trees, and in time he saw that the path they were following had ceased to wander. The trees on either side now formed a double row leading him on, and so he stepped past Gorlaes, music carrying him, and he came into the place wherein stood the Summer Tree.
Very great it was, dark almost to black, its trunk knotted and gnarled, wide as a house. It stood alone in the clearing, in the place of sacrifice, and clutched the earth with roots old as the world, a challenge to the stars that shone down, and there was power in that place beyond the telling. Standing there, he felt it calling for his blood, for his life, and knowing he could not live three nights on that tree, he stepped forward, so as not to turn again, and the music stopped.