The War of the Lance by Weis, Margaret

“The hero, ah, the one who brought you in … ah … hid

them,” said the gnome.

“Hid them?” she shrieked, rising from the table.

“Ah, yes. To keep away burglars, you know. He said he

would return them when he got back . . .”

Kali intended to say that the hero would not return for

more than a few days and why didn’t the woman rest, but

things started to happen very quickly then. Making that

gear-grinding noise again, the warrior pushed both hands

up under the gnome’s beard and, taking a firm hold of his

neck, lifted him off the ground. Kali found that the grip

closed off his breathing pipes. Small sparks danced

between the woman’s face and his. She enlivened this by

screaming at him that he and his rat-faced friends would

find her weapons if they had to eat their way through the

mountains with their teeth, punctuating her remarks by

banging Kali’s head and shoulders against the back wall.

The impact with the wall caused Kali to miss some of her

words, but he caught the gist.

How long this fit went on Kali did not know. He was

aware, finally, that he could breathe again, and save for a

sore neck and a ringing headache, was still alive. He saw

before him the form of the warrior-woman, resting less

than comfortably in a heap of broken furniture, facedown.

Across from him, Eton was holding a wide-mouthed

shovel used to clean the hearth.

Kali gave a breathy, hoarse thanks, but he could see

how Eton was already trying to figure out how to turn the

hearth shovel into a combination sword/plowshare.

Kali put the woman back to bed and arranged for the

delivery of new furniture by the time Oster and Archie

returned with the material the next day. In that time, Kali

had a long time to rub his sore head and think things

through.

Now, despite a lot of stories, gnomes are not by nature

violent. Nor, despite similar stories, are they stupid. Kali

could see that this warrior was going to become enraged

every time she awoke, and that telling her the truth would

result in a rampage that would end up destroying a goodly

amount of gnomish property and perhaps gnomish bodies.

This would not be a good occurrence, given the fact that

gnomes had surrendered to the woman and everything.

Further, she would likely harm Oster if she knew he was

alive. In the brief time Kali had known Oster, the gnome

had decided that the man was one of the good humans,

even given his terrible choice in creatures to fall smitten

with. It would crush his heart if he found out she so cruel

and mean. It would also likely crush his windpipe if the

two were left in the same room together.

The problem was, Kali decided, that he was trying to

work in an area he was unfamiliar with. He knew humans

only from stories and wild tales, and his current personal

encounters indicated something was lacking from his store

of knowledge. Human emotions were even farther

removed. Like most gnomes, Kali was most familiar with

things he could touch, grip, twist, break, and repair. If only

this situation had such “a simple, physical solution.

Looking at the blanket-covered woman, peaceful as

the dead and lovely as the morning, Kali realized that

perhaps there WAS a simple, physical solution.

By the time Oster and Archie had returned, Kali had

not only laid out a plan, but he had made a list of

materials: a closed wagon with oxen, two hundred pounds

of plaster, a similar amount of wax, a stone mausoleum

with an iron fence around it, seven tins of pastels and

other shades of paint, the aid of Organathoran the painter,

and sufficient medication to keep a horse in slumberland

for a week.

He was just drawing up the last of it and was about to

check on the woman (to make sure she had not woken up

again), when Oster and Archie returned. A crowd of other

gnomes clustered around them as Archie described

something in glowing detail, making swing-of-a-sword

gestures with his hands.

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