Priestess of Avalon by Marion Zimmer Bradley

Then the younger man went back to the women, trying to give comfort. But the older paused for a moment, and seeing that the Roman was watching the others, drew upon the stone with his finger the sigil of an initiate of the highest Mysteries. He was better dressed than the rest of them—a man of middle age with silver in his beard. As he turned, the last light of the sun illuminated his features, and with the certainty of dream I recognized him not only as the anchorite I had met by the Dead Sea, but as the old monk I had spoken with so long ago at Inis Witrin.

In the morning, I was carried out to join in the celebration of the Resurrection in a sedan chair, for I was too exhausted to walk. The day had dawned fine and clear, and above the murmur of the crowd came the triumphant choruses of the birds. The deep singing of the priests made the fine hairs rise on the back of my neck and arms. Gold and jewels flashed in the sunlight from the robes of the priests, and the smoke of incense from the altar they had set up in front of the tombs hung in blue swirls in the still air.

There is power here, I thought as the drama of the Mass came to a conclusion. It may not be the only truth in the world, but this story they are telling is true. I could feel the life returning to my limbs, and as the bishop lifted his hands in dismissal I rose from my chair. In the morning sun the openings to the tombs showed clearly beyond the altar. By one of them lay part of a large stone.

It seemed to me now that if events had happened as the gospels described them they would have left an impression of power within the tomb, a power so great I was afraid even to try to touch it. But the mark upon the stone I might seek after, for I was an initiate of the same Mysteries.

And so I did, and did not even know that the people had grown silent, watching me, for I was staring at the dark opening beyond the stone that I had found.

Upon the rocky floor lay a scattering of white petals from the holy thorn.

I stayed in Hierosolyma throughout that spring and into the summer, conferring with the architects whom Constantine had sent to build churches above the sacred sites that I had found. From my window I could see the foundations of the Church of the Holy Sepulchre, with its long nave extending to the east, as was so common in Constantine’s churches, so that when the doors were opened, the high altar would blaze in the light of the rising sun. The Rock of Golgotha had been trimmed to fit into the courtyard on the southern side, and the hillside behind the tomb cut away so that it could be covered by a rotunda.

I had been brought up to believe that the eternal powers cannot be contained in temples made by human hands, and sacred space should be honoured, not owned. But if this building, gilded and jewelled with mosaics from ceiling to floor, was more likely to impress pilgrims with the glory of the Church than the wonder of the Resurrection, that was the tradition of the Mediterranean world. I could foresee a time when the pagan shrines that had sanctified the landscape and scandalized the Christians would be replaced by Christian icons. I wondered if by then there would be any pagans left to be upset by the change.

One evening Eusebius arrived for dinner, beaming. The Emperor, he told me, had decided to refound the city of Drepanum as Helenopolis in my honour, and build a church to the martyr Lucian there.

“It is a victory for the Arian way of thinking,” he told me over the lamb and barley. “For Lucian was not only the best student of the theologian Origen, but he himself taught Arius.”

“I thought he was a priest in the church at Antiochia who published a new edition of the scriptures—”

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