There were the showers, they were worse. His first wife, Heather, had died in one of their filthy showers. There were the trenches that became graves — he could close his eyes and still see the men lined up along the open maw of the trenches, could still hear the volley of rifle fire, could still remember the way they flopped backwards into the earth like badly made puppets. There were the crematoriums, they were worse, too, toe crematoriums that filled the air with the steady sweet smell of Jews burning like torches no one could see. The horror-struck faces of old friends and relatives… faces that melted away like gutturing candles, faces that seemed to melt away before your very eyes — thin, thinner, thinnest. Then one day they were gone. Where? Where does a torch-flame go when the cold wind has blown it out? Heaven? Hell? Lights in the darkness, candles in the wind. When Job finally broke down and questioned, God asked him: Where were you when I made the world? If Morris Heisel had been Job, he would have responded: Where were You when my Heather was dying, You potzer, You? Watching the Yankees and the Senators? If You can’t pay attention to Your business better than this, get out of my face.
Yes, there were worse things than breaking your back, he had no doubt of it But what sort of God would have allowed him to break his back and become paralyzed for life after watching his wife die, and his daughters, and his friends?
No God at all, that was Who.
A tear trickled from the corner of his ear. Outside the hospital room, a bell rang softly. A nurse squeaked by on white crepe-soled shoes. His door was ajar, and on the far wall of the corridor outside he could read the letters NSIVE CA and guessed that the whole sign must read INTENSIVE CARE.
There was movement in the room — a rustle of bedclothes.
Moving very carefully, Morris turned his head to the right, away from the door. He saw a night-table next to him with a pitcher of water on it. There were two call-buttons on the table. Beyond it was another bed, and in the bed was a man who looked even older and sicker than Morris felt. He was not hooked into a giant exercise-wheel for gerbils like Morris was, but an IV feed stood beside his bed and some sort of monitoring console stood at its foot The man’s skin was sunken and yellow. Lines around his mouth and eyes had driven deep. His hair was yellowish-white, dry and lifeless. His thin eyelids had a bruised and shiny look, and in his big nose Morris saw the burst capillaries of the life-long drinker.
Morris looked away… and then looked back. As the dawn light grew stronger and the hospital began to wake up, he began to have the strangest feeling that he knew his roommate. Could that be? The man looked to be somewhere between seventy-five and eighty, and Morris didn’t believe he knew anyone quite that old — except for Lydia’s mother, a horror Morris sometimes believed to be older than the Sphinx, whom the woman closely resembled.
Maybe the guy was someone he had known in the past, maybe even before he, Morris, came to America. Maybe. Maybe not. And why all of a sudden did it seem to matter? For that matter, why had all his memories of the camp, of Patin, come flooding back tonight, when he always tried to -and most times succeeded in — keeping those things buried?
He broke out in a sudden rash of gooseflesh, as if he had stepped into some mental haunted house where old bodies were unquiet and old ghosts walked. Could that be, even here and now in this clean hospital, thirty years after those dark times had ended?
He looked away from the old man in the other bed, and soon he had begun to feel sleepy again.
It’s a trick of your mind that this other man seems familiar. Only your mind, amusing you in the best way it can, amusing you the way it used to try to amuse you in But he would not think of that. He would not allow himself to think of that.