FOREIGNER: a novel of first contact by Caroline J. Cherryh

He followed Banichi out of the van, computer in hand, reckoning, now that he saw the style of the place, that there might even be formal hunts while they were here, if the staff lent itself to entertaining the guests. Banichi and Jago would certainly be keen for it. He wouldn’t: tramping through dusty weeds, getting sunburn, and staring at his supper down a gun barrel was not his favorite sport. He was concerned for his computer in the cold mist that was whirling about them, sucked under the portico by the drafts; and he was more than anxious to conclude the welcome and get in out of the wet.

“The paidhi,” Banichi was saying, and Banichi laid a heavy hand on his shoulder. “Bren Cameron, the close associate of Tabini-aiji, the very person, give him good welcome…” It was the standard formality. Bren bowed, murmured, “Honor and thanks,” in reply to the staff’s courtesies, while Jago banged the van door shut and dismissed the driver. The van whined off into the storm and somehow the whole welcoming party advanced, by degrees and inquiries into the aiji’s health and well-being, across the cobbles toward the main doors—thank God, Bren thought. A backward glance in response to a question spotted an antique cannon in the paved courtyard, through veils of rain; a forward glance met gold, muted light coming through the doors on a wave of warmer air.

It was a stone-paved hall, with timbered and plastered walls. The banners that hung from the time-blackened rafters looked centuries old themselves, with their muted colors and complex serpentine patterns of ancient writing that, no, indeed, the paidhi didn’t know. He recognized Tabini’s colors, and the centermost banner had Tabini’s personal emblem, the baji on a red circle, on a blue field. There were weapons on every wall—swords and weapons the names of which he didn’t know, but he’d seen them in the lodge at Taiben, with similar hides, spotted and shaded, pinned on walls, thrown over chairs that owed nothing to human designs.

Banichi seized him by the shoulder again and made further introductions, this time to two servants, both male, introductions which required another round of bows.

“They’ll take you to your rooms,” Banichi said. “They’ll be assigned to you.”

He’d already let the names slip his attention. But, was on his tongue to say,—but what about Algini and Tano, on their way from the airport? Why someone else?

“Excuse me,” he said, and bowed in embarrassment. “I lost the names.” The paidhi was a diplomat, the paidhi didn’t let names get away like that, even names of servants—he wasn’t focussing, even yet, asking himself whether these servants were ones Banichi knew, or Jago did, or how they could trust these people.

But they bowed and patiently and courteously said their names again: Maigi and Djinana, honored to be at his service.

Dreadful beginning, with atevi trying to be polite to him. He was being pushed and shoved into places he didn’t know in a culture already full of strangenesses, and he was overwhelmed with the place.

“Go with them,” Banichi said gently, and added something in one of the regional languages, to which the servants nodded and bowed, regarding him with faces as impassive as Banichi’s and Jago’s.

“Nand’ paidhi,” one said. Maigi. He had to get them straight.

Maigi and Djinana, he said over and over to himself, as he followed them across the hall, through the archway, and to the foot of bronze-banistered stone stairs, He realized of a sudden they had just passed out of the sight of Jago and Banichi, but Banichi had said go, Banichi evidently believed they were trustworthy. He had no wish to insult the servants twice by doubting them.

So it was up the stairs, into the upper floor of a strange house ruled by a stranger old woman. The servants he followed talked together in a language the paidhi didn’t know, and the place smelled of stone and antiquity. Plastering didn’t exist in these wooden-floored upper halls, which, he supposed, were for lesser guests. Pipes and wires ran across ceilings clearly ancient, and bare tungsten-based bulbs hung in brackets festooned by aged copper-centered insulated wire, covered with dust.

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