Grass by Sheri S. Tepper

Father Sandoval sighed again, wishing his years had given him bet­ter insight into Stella, and into her father, Stella, of course, would eventually marry and could then be instructed to be obedient to her husband as she was now instructed to be obedient to her parents. But what could one do with Rigo? Both he and Stella were too impatient to woo. They would storm or nothing. Overwhelm, or nothing. They would not beg. They would take by right. Even things they should not take at all.

Unaware of Father Sandoval’s concern, Stella, meantime, was upon the simulacrum in the sixth hour of her current ride: eyes glazed, back braced, beyond hunger or thirst in a trance of her own evoking.

Her father had finished his own session on the machine hours ago. Hector Paine was gone. No one else would come into the winter quarters. She had set the timing mechanism for seven hours, two hours longer than she had ever ridden before, and had vaulted aboard. There was no way to stop the machine once she had started, no way to get off the mount save by falling.

On the screens around her the grasses whipped past. Devices at her side mimicked the blows of the blades, striking her hat, her coat. The machine rocked and twisted, always slightly off rhythm so that she could not relax. The body stayed alert, but the brain eventually gave up thinking and retreated into some never-never land beyond exhaustion. Stella was there now, dreaming of Sylvan bon Damfels. During the reception at Opal Hill, she had watched him as he danced with Marjorie, watched, devoured, swallowed him whole. When she had danced with him, she had absorbed him through her skin, taken his image into herself so that he dwelt there, a paradigm of the real and genuine man. And since that time she had undressed him and possessed him and done with him all those things she had not yet done with others, not through any sense of morality but because she had not yet found one she thought worthy of herself. Now she had. Sylvan was worthy. Sylvan was noble. Sylvan was one to whom she might be mated. No! The one to whom she would be mated. In just a little time. In the time it would take for her to ride, as he rode, so that she might ride by his side.

She ignored what he had said to Marjorie about riding, ignored his advice to the Yrariers. It did not fit her picture of him, so she struck it from his image as she built him anew, according to her own needs—the gospel of St. Sylvan, according to Stella, his creator.

The machine galloped on, its springs and levers walloping and sliding, the sound of hooves thundering softly from its speakers, the pictured stems of grass fleeing everlastingly on either side, the blades lashing at her with softly sounded strokes.

In some remote part of her mind she told Elaine Brouer all about Sylvan, about their meeting, the way their eyes had met. “He loved me in that moment. In that very moment, he loved me as he had never loved anyone before.”

Sylvan was saying much the same thing to himself as he walked a winding path deep in the famed grass gardens of Klive. “I loved her in that moment. I loved her the moment I saw her. The moment I took her into my arms. As I have never loved before.”

He was not speaking of Stella. He was speaking of Marjorie.

11

“Bless me, Father, for I have sinned.” Marjorie was kneeling in the confessional at the side of the chapel, the evening light falling upon her face The chapel was dusk dim, the light near the altar making a watchful eye in the shadow. “I have resented my daughter. And my husband.

She was alone in the chapel except for Father James. Rigo was closeted in the winter quarters with Hector Paine. Stella and Tony and Father Sandoval had ridden the mares down to the village to visit Sebastian Mechanic and his wife, Dulia, who was, said Sebastian, the best cook on any six planets. Since the reception, Eugenie had scarcely put her nose outside her house and was there now. As Marjorie had come through the gardens to the chapel she had heard Eugenie singing, a slightly drunken lament with no particular burden of woe. The blues, Marjorie recalled having read somewhere, needed no proximate motivation. Any common grief would do. The ancient song, though not particularly melodic, had entered Marjorie’s ear and now turned there, playing itself over persistently, hating to see the evening sun go down.

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