INTENSITY

She pulled shut the pleated-vinyl panel. Though flimsy, it moved as ponderously as a vault door. The magnetic latch clicked into place with a sound like snapping bone.

In all the textbooks she had ever read, no case study of sociopathic violence had ever contained a description of a crime sufficiently vivid to make her want to retreat to a corner and sit on the floor and pull her knees against her chest and hug herself. That was precisely what she did now, choosing the corner farthest from the closet.

She had to get control of herself, quickly, starting with her manic breathing. She was gasping, sucking in great lungfuls, yet she couldn’t seem to get enough air. The deeper and faster she inhaled, the dizzier she became. Her peripheral vision surrendered to an encroaching darkness until she seemed to be peering down a long black tunnel toward the dingy motor-home bedroom at the far end.

She told herself that the young man in the closet had been dead when the killer had gone to work with the sewing kit. And if he’d not been dead, at least he’d been mercifully unconscious. Then she told herself not to think about it at all, because thinking about it only made the tunnel longer and narrower, made the bedroom more distant and the lights dimmer than ever.

She put her face in her hands, and her hands were cold but her face seemed colder. For no reason that Chyna could understand, she thought of her mother’s face, as clear as a photograph in her mind’s eye. And then she did understand.

To Chyna’s mother, the prospect of violence had been romantic, even glamorous. For a while they had lived in a commune in Oakland, where everyone talked of making a better world and where, more nights than not, the adults gathered around the kitchen table, drinking wine and smoking pot, discussing how best to tear down the hated system, sometimes also playing pinochle or Trivial Pursuit as they discussed the strategies that might bring utopia at last, sometimes far too enraptured by revolution to be interested in any lesser games. There were bridges and tunnels that could all be blown up with absurd ease, disrupting transportation; telephone-company installations could be targeted to throw communications into chaos; meat-packing plants must be burned to put an end to the brutal exploitation or animals. They planned intricate bank robberies and bold assaults on armored cars to finance their operations. The route they would have taken to peace, freedom, and justice was always cratered by explosions, littered with uncountable bodies. After Oakland, Chyna and her mother had hit the road for a few weeks and had wound up again in Key West with their old friend Jim Woltz, the enthusiastic nihilist who was deep in the drug trade, with a sideline in illegal weapons. Under his ocean-front cottage, he had carved out a bunker in which he stored a personal collection of two hundred firearms. Chyna’s mother was a beautiful woman, even on bad days when depression plagued her, when her green eyes were gray and sad with miseries that she could not explain. But at that kitchen table in Oakland and in that cool bunker beneath the cottage in Key West—in fact, whenever she was at the side of a man like Woltz—her porcelain skin was even clearer than usual, almost translucent; excitement enlivened her exquisite features; she became magically more graceful, appeared more lithe and supple, was quicker to smile. The prospect of violence, playing at being Bonnie to any man’s Clyde, filled her stunning face with a light as glorious as a Florida sunset, and her jewel-green eyes were, at those times, as compelling and mysterious as the Gulf of Mexico darkening toward twilight.

Although the prospect of violence might be romantic, the reality was blood, bone, decomposition, dust. The reality was Laura on the bed and the unknown young man sewn into silence behind the pleated vinyl door.

Chyna sat with her cold hands covering her colder face, aware that she would never be as strangely beautiful as her mother.

Eventually she regained control of her breathing. The motor home rolled on, and she was reminded of nights when, as a child, she had dozed on trains, on buses, in the backseats of cars, lulled by the motion and the hum of wheels, unsure where her mother was taking her, dreaming of being part of a family like one of those on television—with befuddled but loving parents, an amusing next-door neighbor who might be frustrating but never malicious, and a dog that knew a few tricks. But good dreams never lasted, and she woke repeatedly from nightmares, gazing out windows at strange landscapes, wishing that she could travel forever without stopping. The road was a promise of peace, but destinations were always hell.

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