INTENSITY

No windows at all below. Not even a turbid leak of gray storm light seeping through narrow casements or screened ventilation cutouts.

Dungeon dark.

But if the bastard was keeping a girl down there, how odd that he wouldn’t have added a lock to this upper door. It offered only the spring latch that retracted with a twist of the knob, not a real lock of any kind.

The captive might be sealed in a windowless room deep below, of course, or even manacled. Ariel might have no hope of reaching these stairs and this upper door, even if left alone for days to worry at her restraints, which would explain why the killer was confident that one more barrier to her flight wasn’t necessary even when he was away from home.

Nevertheless, it seemed peculiar that he wouldn’t be concerned about a thief breaking into the house when he was gone, descending to the cellar, and inadvertently discovering the imprisoned girl. Considering the obvious age of the structure, its rusticity, and the lack of any apparent alarm keypads, Chyna doubted that the house had a security system. The killer, with all his secrets, ought to have installed a steel door to the cellar, with locks as impregnable as those on a bank vault.

The lack of special security might mean that the girl, Ariel, was not here.

Chyna didn’t want to dwell on that possibility. She had to find Ariel.

Leaning through the doorway, she felt along the stairwell wall for the switch, and snapped it up. Lights came on both at the upper landing and in the basement.

The bare concrete steps—a single flight—were steep. They appeared to be much newer than the house itself, perhaps even a relatively recent addition.

The high-velocity surge of water through plumbing and the hard rapping of the loose pipe in the wall told her that the killer was still busy in the bathroom above, scrubbing away all traces of his crimes. Tatta-tatta-tatta…

Louder than before but still in a whisper, she said: “Ariel.”

Out of the still air below, no response.

Louder. “Ariel.”

Nothing. Chyna didn’t want to go down into this windowless pit, with no way out except the stairs, even with a lockless door above. But she couldn’t think of any way to avoid the descent, not if she was to learn for sure whether Ariel was here.

Tatta-tatta-tatta-tatta-tatta…

It always came to this, even with childhood long past and being grown up and everything supposedly in control, everything supposedly all right; even then it still came to this: alone, dizzy with fear, alone, down into a bleak-dark-cramped place, no exits, sustained only by mad hope, with the world indifferent, no one to wonder about her or care where she might have gone.

Listening intently for the slightest change in the sound of the rushing water and the vibrating pipe, Chyna went down one step at a time, her left hand on the iron railing. The gun was extended in her right hand; she was clenching it so fiercely that her knuckles ached.

“Chyna Shepherd, untouched and alive,” she said shakily. “Chyna Shepherd, untouched and alive.”

Halfway down the stairs, she glanced back and up. At the end of a trail of her wet shoeprints, the landing seemed a quarter of a mile above her, as far away as the top of the knoll had seemed from the front porch of the house.

Alice down the rabbit hole into a madness without tea parties.

*

At the open doorway between the in-kitchen dining area and the laundry room, Mr. Edgler Vess hears the mystery woman call to Ariel. She is only a few feet away from him, around the corner, past the washer and the dryer, so there can be no mistake about what name she speaks.

Ariel.

Stupefied, he stands blinking and open-mouthed in the fragrance of laundry detergent and in the wall-muffled rattle of copper pipes, with her voice echoing in memory.

There is no way for her to know about Ariel.

Yet she calls to the girl again, louder than before.

Mr. Vess suddenly feels terribly violated, oppressed, observed. He glances back at the windows in the dining area and the kitchen, expecting to discover the radiant faces of accusing strangers pressed to those panes. He sees only the rain and the drowned gray light, but he is still anguished.

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