INTENSITY

The second cry, though also brief and only slightly louder than the first, was indisputably of the moment, not a memory, and Chyna sat forward on her chair. Tense. Head cocked. Listening.

She wanted to believe that the voice had come from outside, so she continued to stare into the night, surveying the vineyards and the hills beyond. Breeze-driven waves swelled through the dry grass on the moon-washed slopes: a water mirage like the ghost tides of an ancient sea.

From elsewhere in the large house came a soft thump, as though a heavy object had fallen to a carpeted floor.

Chyna immediately rose from the chair and stood utterly still, expectant.

Trouble often followed voices raised in one kind of passion or another. Sometimes, however, the worst offenses were preceded by calculated silences and stealth.

She had difficulty reconciling the idea of domestic violence with Paul and Sarah Templeton, who had seemed kind and loving toward each other as toward their daughter. Nevertheless, appearances and realities were seldom the same, and the human talent for deception was far greater than that of the chameleon, the mockingbird, or the praying mantis, which masked its ferocious cannibalism with a serene and devout posture.

Following the stifled cries and the soft thump, silence sifted down like a snowfall. The hush was eerily deep, as unnatural as that in which the deaf lived. This was the stillness before the pounce, the quietude of the coiled snake.

In another part of the house, someone was standing as motionless as she herself was standing, as alert as she was, intently listening. Someone dangerous. She could sense the predatory presence, a subtle new pressure in the air, not dissimilar to that preceding a violent thunderstorm.

On one level, six years of psychology classes caused her to question her immediate fearful interpretation of those night sounds, which conceivably could be insignificant, after all. Any well-trained psychoanalyst would have a wealth of labels to pin on someone who leaped first to a negative conclusion, who lived in expectation of sudden violence.

But she had to trust her instinct. It had been honed by many years of hard experience.

Intuitively certain that safety lay in movement, she stepped quietly away from the chair at the window, toward the hall door. In spite of the moon glow, her eyes had adjusted to darkness during the two hours that she had sat in the lightless room, and now she eased through the gloom with no fear of blundering into furniture.

She was only halfway to the door when she heard approaching footsteps in the second-floor hall. The heavy, urgent tread was alien to this house.

Unhampered by the interminable second-guessing that accompanied an education in psychology, reverting to the intuition and defenses of childhood, Chyna quickly retreated to the bed. She dropped to her knees.

Farther along the hall, the footsteps stopped. A door opened. She was aware of the absurdity of attributing rage to the mere opening of a door. The rattle of the knob being turned, the rasp of the unsecured latch, the spike-sharp squeak of an unoiled hinge—they were only sounds, neither meek nor furious, guilty nor innocent, and could have been made as easily by a priest as by a burglar. Yet she knew that rage was at work in the night.

Flat on her stomach, she wriggled under the bed, feet toward the headboard. It was a graceful piece of furniture with sturdy galbe legs, and fortunately it didn’t sit as close to the floor as did most beds. One inch less of clearance would have prevented her from hiding under it.

Footsteps sounded in the hall again.

Another door opened. The guest-room door. Directly opposite the foot of the bed.

Someone switched on the lights.

Chyna lay with her head turned to one side, her right ear pressed to the carpet. Staring out from under the footboard, she could see a man’s black boots and the legs of his blue jeans below mid-calf.

He stood just inside the threshold, evidently surveying the room. He would see a bed still neatly made at one o’clock in the morning, with four decorative needlepoint pillows arranged against the headboard.

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