IS SHAKESPEARE DEAD? FROM MY AUTOBIOGRAPHY

reasons why, and they have been furnished in cartloads (of guess

and conjecture) by those troglodytes; but there is one that is

worth all the rest of the reasons put together, and is abundantly

sufficient all by itself–HE HADN’T ANY HISTORY TO RECORD. There

is no way of getting around that deadly fact. And no sane way has

yet been discovered of getting around its formidable significance.

Its quite plain significance–to any but those thugs (I do not use

the term unkindly) is, that Shakespeare had no prominence while he

lived, and none until he had been dead two or three generations.

The Plays enjoyed high fame from the beginning; and if he wrote

them it seems a pity the world did not find it out. He ought to

have explained that he was the author, and not merely a nom de

plume for another man to hide behind. If he had been less

intemperately solicitous about his bones, and more solicitous about

his Works, it would have been better for his good name, and a

kindness to us. The bones were not important. They will moulder

away, they will turn to dust, but the Works will endure until the

last sun goes down.

MARK TWAIN.

P.S. March 25. About two months ago I was illuminating this

Autobiography with some notions of mine concerning the Bacon-

Shakespeare controversy, and I then took occasion to air the

opinion that the Stratford Shakespeare was a person of no public

consequence or celebrity during his lifetime, but was utterly

obscure and unimportant. And not only in great London, but also in

the little village where he was born, where he lived a quarter of a

century, and where he died and was buried. I argued that if he had

been a person of any note at all, aged villagers would have had

much to tell about him many and many a year after his death,

instead of being unable to furnish inquirers a single fact

connected with him. I believed, and I still believe, that if he

had been famous, his notoriety would have lasted as long as mine

has lasted in my native village out in Missouri. It is a good

argument, a prodigiously strong one, and a most formidable one for

even the most gifted, and ingenious, and plausible Stratfordolater

to get around or explain away. To-day a Hannibal Courier-Post of

recent date has reached me, with an article in it which reinforces

my contention that a really celebrated person cannot be forgotten

in his village in the short space of sixty years. I will make an

extract from it:

Hannibal, as a city, may have many sins to answer for, but

ingratitude is not one of them, or reverence for the great men she

has produced, and as the years go by her greatest son Mark Twain,

or S. L. Clemens as a few of the unlettered call him, grows in the

estimation and regard of the residents of the town he made famous

and the town that made him famous. His name is associated with

every old building that is torn down to make way for the modern

structures demanded by a rapidly growing city, and with every hill

or cave over or through which he might by any possibility have

roamed, while the many points of interest which he wove into his

stories, such as Holiday Hill, Jackson’s Island, or Mark Twain

Cave, are now monuments to his genius. Hannibal is glad of any

opportunity to do him honor as he has honored her.

So it has happened that the “old timers” who went to school with

Mark or were with him on some of his usual escapades have been

honored with large audiences whenever they were in a reminiscent

mood and condescended to tell of their intimacy with the ordinary

boy who came to be a very extraordinary humorist and whose every

boyish act is now seen to have been indicative of what was to come.

Like Aunt Beckey and Mrs. Clemens, they can now see that Mark was

hardly appreciated when he lived here and that the things he did as

a boy and was whipped for doing were not all bad after all. So

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