Just After Sunset by Stephen King

“What the Christ?” He reached out, grasped the dead man’s shirt, and pulled it up.

Will Reuss looked—and screamed.

Above Halston’s navel, a ragged hole had been clawed in his flesh. Looking out was the gore-streaked black-and-white face of a cat, its eyes huge and glaring.

Reuss staggered back, shrieking, hands clapped to his face. A score of crows took cawing wing from a nearby field.

The cat forced its body out and stretched in obscene languor.

Then it leaped out the open window. Reuss caught sight of it moving through the high dead grass and then it was gone.

It seemed to be in a hurry, he later told a reporter from the local paper.

As if it had unfinished business.

The New York Times

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She’s fresh out of the shower when the phone begins to ring, but although the house is still full of relatives—she can hear them downstairs, it seems they will never go away, it seems she never had so many—no one picks up. Nor does the answering machine, as James programmed it to do after the fifth ring.

Anne goes to the extension on the bed-table, wrapping a towel around her, her wet hair thwacking unpleasantly on the back of her neck and bare shoulders. She picks it up, she says hello, and then he says her name. It’s James. They had thirty years together, and one word is all she needs. He says Annie like no one else, always did.

For a moment she can’t speak or even breathe. He has caught her on the exhale and her lungs feel as flat as sheets of paper. Then, as he says her name again (sounding uncharacteristically hesitant and unsure of himself), the strength slips from her legs. They turn to sand and she sits on the bed, the towel falling off her, her wet bottom dampening the sheet beneath her. If the bed hadn’t been there, she would have gone to the floor.

Her teeth click together and that starts her breathing again.

“James? Where are you? What happened?” In her normal voice, this might have come out sounding shrewish—a mother scolding her wayward eleven-year-old who’s come late to the supper-table yet again—but now it emerges in a kind of horrified growl. The murmuring relatives below her are, after all, planning his funeral.

James chuckles. It is a bewildered sound. “Well, I tell you what,” he says. “I don’t exactly know where I am.”

Her first confused thought is that he must have missed the plane in London, even though he called her from Heathrow not long before it took off. Then a clearer idea comes: although both the Times and the TV news say there were no survivors, there was at least one. Her husband crawled from the wreckage of the burning plane (and the burning apartment building the plane hit, don’t forget that, twenty-four more dead on the ground and the number apt to rise before the world moved on to the next tragedy) and has been wandering around Brooklyn ever since, in a state of shock.

“Jimmy, are you all right? Are you are you burned?” The truth of what that would mean occurs after the question, thumping down with the heavy weight of a dropped book on a bare foot, and she begins to cry. “Are you in the hospital?”

“Hush,” he says, and at his old kindness—and at that old word, just one small piece of their marriage’s furniture—she begins to cry harder. “Honey, hush.”

“But I don’t understand!”

“I’m all right,” he says. “Most of us are.”

“Most—? There are others?”

“Not the pilot,” he says. “He’s not so good. Or maybe it’s the co-pilot. He keeps screaming. ‘We’re going down, there’s no power, oh my God.’ Also ‘This isn’t my fault, don’t let them blame it on me.’ He says that, too.”

She’s cold all over. “Who is this really? Why are you being so horrible? I just lost my husband, you asshole!”

“Honey—”

“Don’t call me that!” There’s a clear strand of mucus hanging from one of her nostrils. She wipes it away with the back of her hand and then flings it into the wherever, a thing she hasn’t done since she was a child. “Listen, mister—I’m going to star-sixty-nine this call and the police will come and slam your ass your ignorant, unfeeling ass ”

But she can go no farther. It’s his voice. There’s no denying it. The way the call rang right through—no pickup downstairs, no answering machine—suggests this call was just for her. And honey, hush. Like in the old Carl Perkins song.

He has remained quiet, as if letting her work these things through for herself. But before she can speak again, there’s a beep on the line.

“James? Jimmy? Are you still there?”

“Yeah, but I can’t talk long. I was trying to call you when we went down, and I guess that’s the only reason I was able to get through at all. Lots of others have been trying, we’re lousy with cell phones, but no luck.” That beep again. “Only now my phone’s almost out of juice.”

“Jimmy, did you know?” This idea has been the hardest and most terrible part for her—that he might have known, if only for an endless minute or two. Others might picture burned bodies or dismembered heads with grinning teeth; even light-fingered first responders filching wedding rings and diamond ear-clips, but what has robbed Annie Driscoll’s sleep is the image of Jimmy looking out his window as the streets and cars and the brown apartment buildings of Brooklyn swell closer. The useless masks flopping down like the corpses of small yellow animals. The overhead bins popping open, carry-ons starting to fly, someone’s Norelco razor rolling up the tilted aisle.

“Did you know you were going down?”

“Not really,” he says. “Everything seemed all right until the very end—maybe the last thirty seconds. Although it’s hard to keep track of time in situations like that, I always think.”

Situations like that. And even more telling: I always think. As if he has been aboard half a dozen crashing 767s instead of just the one.

“In any case,” he goes on, “I was just calling to say we’d be early, so be sure to get the FedEx man out of bed before I got there.”

Her absurd attraction for the FedEx man has been a joke between them for years. She begins to cry again. His cell utters another of those beeps, as if scolding her for it.

“I think I died just a second or two before it rang the first time. I think that’s why I was able to get through to you. But this thing’s gonna give up the ghost pretty soon.”

He chuckles as if this is funny. She supposes that in a way it is. She may see the humor in it herself, eventually. Give me ten years or so, she thinks.

Then, in that just-talking-to-myself voice she knows so well: “Why didn’t I put the tiresome motherfucker on charge last night? Just forgot, that’s all. Just forgot.”

“James honey the plane crashed two days ago.”

A pause. Mercifully with no beep to fill it. Then: “Really? Mrs. Corey said time was funny here. Some of us agreed, some of us disagreed. I was a disagreer, but looks like she was right.”

“Hearts?” Annie asks. She feels now as if she is floating outside and slightly above her plump damp middle-aged body, but she hasn’t forgotten Jimmy’s old habits. On a long flight he was always looking for a game. Cribbage or canasta would do, but hearts was his true love.

“Hearts,” he agrees. The phone beeps again, as if seconding that.

“Jimmy ” She hesitates long enough to ask herself if this is information she really wants, then plunges with that question still unanswered. “Where are you, exactly?”

“Looks like Grand Central Station,” he says. “Only bigger. And emptier. As if it wasn’t really Grand Central at all but only mmm a movie-set of Grand Central. Do you know what I’m trying to say?”

“I I think so ”

“There certainly aren’t any trains and we can’t hear any in the distance but there are doors going everywhere. Oh, and there’s an escalator, but it’s broken. All dusty, and some of the treads are broken.” He pauses, and when he speaks again he does so in a lower voice, as if afraid of being overheard. “People are leaving. Some climbed the escalator—I saw them—but most are using the doors. I guess I’ll have to leave, too. For one thing, there’s nothing to eat. There’s a candy machine, but that’s broken, too.”

“Are you honey, are you hungry?”

“A little. Mostly what I’d like is some water. I’d kill for a cold bottle of Dasani.”

Annie looks guiltily down at her own legs, still beaded with water. She imagines him licking off those beads and is horrified to feel a sexual stirring.