Seize The Night. By: Dean R. Koontz

Mungojerrie squeezed through the narrow gap and vanished inside before

Sasha could have second thoughts.

“Death, much death, ” Roosevelt murmured, evidently communicating with

the mouser.

I wouldn’t have been surprised if Dr. Stanwyk had appeared at the door,

dressed in a bio-secure suit like Hodgson, face seething with hideous

parasites, a white-eyed crow perched on his shoulder. This man who had

once seemed wise and kind if eccentric now loomed ominously in my

imagination, like the uninvited party guest in Poe’s “The Masque of the

Red Death.” The Roger and Marie Stanwyk I had known for years were an

odd but nonetheless happy and compatible couple in their early fifties.

He sported muttonchops and a lush mustache, and was rarely seen in

anything but a suit and tie, you sensed that he longed to wear wing

collars and to carry a pocket watch on a fob, but felt these would be

eccentricities in excess of those expected of a renowned scientist,

nevertheless, he frequently allowed himself to wear quaint vests, and he

spent an inordinate amount of time working at his Sherlockian pipe with

tamp, pick, and spoon. Marie, a plump-cheeked matron with a rosy

complexion, was a collector of antique ornamental tea caddies and

nineteenth-century paintings of fairies, her wardrobe revealed a

grudging acceptance of the twenty-first century, although regardless of

what she wore, her longing for button-top shoes, bustles, and parasols

was evident. Roger and Marie seemed unsuited to California, doubly

unsuited to this century, yet they drove a red Jaguar, had been spotted

attending excruciatingly stupid big budget action movies, and functioned

fairly well as citizens of the new millennium.

Sasha called to the Stanwyks through the open kitchen door.

Mungojerrie had crossed the kitchen without hesitation and had

disappeared into deeper reaches of the house.

When Sasha got no answer to her third “Roger, Marie, hello, ” she drew

the . 38 from her shoulder holster and stepped inside.

Bobby, Roosevelt, and I followed her. If Sasha had been wearing skirts,

we might have happily hidden behind them, but we were more comfortable

with the cover provided by the Smith & Wesson.

From the porch, the house had seemed silent, but as we crossed the

kitchen, we heard voices coming from the front room. They were not

directed at us.

We stopped and listened, not quite able to make out the words.

Quickly, however, when music rose, it became apparent that we were

hearing not live voices but those on television or radio.

Sasha’s entrance to the dining room was instructive and more than a

little intriguing. Both hands on the gun. Arms out straight and locked.

The weapon just below her line of sight. She cleared the doorway fast,

slid to the left, her back against the wall. After she moved mostly out

of view, I could still see just enough of her arms to know she swung the

. 38 left, then right, then left again, covering the room.

Her performance was professional, instinctive, and no less smooth than

her on-air voice.

Maybe she’s watched a lot of television cop dramas over the years.

Yeah.

“Clear, ” she whispered.

Tall, ornate hutches seemed to loom over us, as if tipping away from the

walls, porcelain and silver treasures gleaming darkly behind leaded

glass doors with beveled panes. The crystal chandelier wasn’t lit, but

reflections of nearby candle flames winked along its strings of beads

and off the cut edges of its dangling pendants.

In the center of the dining-room table, surrounded by eight or ten

candles, was a large punch bowl half full of what appeared to be fruit

juice. A few clean drinking glasses stood to one side, and scattered

across the table were several empty plastic pharmacy bottles of

prescription medication.

The lighting wasn’t good enough to allow us to read the labels on the

bottles, as they lay, and none of us wanted to touch anything.

Death lives here, the cat had said, and maybe that was what had given us

the idea, from the moment we entered the house, that this was a crime

scene.

Upon seeing the tableau on the dining-room table, we looked at one

another, and it was clear that all of us suspected the nature of the

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