Seize The Night. By: Dean R. Koontz

“That’s too loose.” He hung up and so did I. More wings beat a tattoo

through the dark air, and feathers rattled leaves as another bird

settled with the growing flock in the upper branches of the laurel.

None of them had yet raised a voice. The cry of the nighthawk, as it

jinks through the air, snapping insects in its sharp beak, is a

distinctive peent-peent-peent. The nightingale sings in lengthy

performances, weaving harsh and sweet piping notes into enchanting

phrases. Even an owl, mostly taciturn lest it alarm the rodents on which

it feeds, hoots now and then to please itself or to assert its continued

citizenship in the community of owls.

The quiet of these birds was eerie and disturbing, not because I

believed they were gathering to peck me to pieces in an homage to the

Hitchcock film, but because this sounded too much like the brief but

deep stillness that often settles upon the natural world in the wake of

sudden violence. When a coyote catches a rabbit and snaps its spine or

when a fox bites into a mouse and shakes it to death, the dying cry of

the prey, even if nearly inaudible, brings a hush to the immediate area.

Though Mother Nature is beautiful, generous, and comforting, she is also

bloodthirsty. The never-ending holocaust over which she presides is one

aspect of her that isn’t photographed for wall calendars or dwelt upon

at loving length in Sierra Club publications. Every field in her domain

is a killing field, so in the immediate wake of violence, her

multitudinous children often fall silent, either because they have an

instinctive reverence for the natural law under which they existor

because they’re reminded of the old girl’s murderous personality and

hope to avoid becoming the next object of her attention.

Consequently, the mute birds worried me. I wondered if their silence was

in witness to slaughter and if the shed blood had been that of a small

boy and a dog.

Not a peep.

I left the night shade of the Indian laurel and sought a less disturbing

place, from which to make another telephone call.

Except for the birds, I continued to feel that I was unobserved, yet I

was suddenly uneasy about remaining in the open.

The feathered sentinels didn’t leave their perches to pursue me.

They didn’t even rustle the leaves around them.

I was being truthful when I said that I didn’t believe they were going

to pull a Hitchcock, but I had not ruled out the possibility altogether.

After all, in Wyvernin all of Moonlight Bay, in fact even a creature as

unintimidating as a nightingale can be more than it seems and more

dangerous than a tiger. The end of the world as we know it may lie in

the breast of a chimney swift or in the blood of the tiniest mouse.

As I continued along the street, the light of the awakened moon was so

bright that I cast a faint shadow, which walked neither ahead of nor

behind me, but remained close by my side, as though to remind me that my

four-legged brother, who usually occupied that spot, was missing.

Half the cottages and bungalows in Dead Town have only stoops.

This was one of the other half, a bungalow enhanced by a set of brick

steps leading up to a front porch.

A spider had built a web between the pilasters flanking the top of the

steps. I couldn’t see this construction in the dark, but it must not

have been the home of a giant mutant species, because the silk-thread

spokes and spirals were so fragile they dissolved around me without

resistance. Some of those fine-spun filaments clung to my face, but I

wiped them away with one hand as I crossed the porch, no more concerned

about the destruction that I had wrought than Godzilla is concerned

about the demolished skyscrapers he leaves in his wake.

Although events of recent weeks had given me a new and profound respect

for many of the animals with which we share this world, I’d never be

able to embrace pantheism. Pantheists regard all forms of life, even

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