Seize The Night. By: Dean R. Koontz

tolerate the worst gross-outs, those sights and ideas that test courage,

the balance of the mind, and the gag reflex. In those days, Bobby and I

were fans of H. P. Love craft, of the biologically moist art of H. R.

Giger, and of low-budget Mexican horror movies full of gore.

We outgrew this fascination to an extent that we didn’t outgrow other

aspects of our adolescence, but in those days I explored death further

than did Bobby, progressing from bad movies to the study of increasingly

clinical texts. I learned the history and techniques of mummification

and embalming, the lurid details of epidemics like the Black Death that

killed half of Europe between 1348 and 1350.

I realize now that by immersing myself in the study of death, I had

hoped to accept my mortality. Long before adolescence, I knew that each

of us is sand in an hourglass, steadily running out of the upper globe

into the stillness of the globe below, and that in my particular

hourglass, the neck between these spheres is wider than in most, the

fall of sand faster. This was a heavy truth to have been carried by one

so young, but by becoming a graveyard scholar, I meant to rob death of

its terror.

In recognition of the steep mortality rate of people with XP, my special

parents had raised me to play rather than work, to have fun, to regard

the future not with anxiety but with a sense of mystery.

From them, I learned to trust God, to believe I was born for a purpose,

to be joyful. Consequently, Mom and Dad were disturbed by my obsession

with death, but because they were academics with a belief in the

liberating power of knowledge, they didn’t hamper my pursuit of the

subject.

Indeed, I relied on Dad to acquire the book that completed my death

studies, Forensic Pathology, published by Elsevier in a series of thick

volumes written for law-enforcement professionals involved in criminal

investigations- This grisly tome, generously illustrated with victim

photographs that will chill the hottest heart and instill pity in all

but the coldest, is not on the shelves of most libraries and is not

knowingly provided to children. At fourteen, with a life expectancy

thought to be at that time no greater than twenty, I could have argued

that I was not a child but already past middle age.

Forensic Pathology covers the myriad ways we perish, disease, death by

fire, death by freezing, by drowning, by electrocution, by poisoning, by

starvation, by suffocation, by strangulation, death from gunshot wounds,

from blunt-instrument trauma, from pointed and sharp-edged weapons. By

the time I finished this book, I’d outgrown my fascination with death .

.. and my fear of it. The photos depicting the indignity of

decomposition proved that the qualities I cherish in the people I

love their wit, humor, courage, loyalty, faith, compassion, mercyare not

ultimately the work of the flesh. These things outlast the body, they

live on in the memories of family and friends, live on forever by

inspiring others to be kind and loving. Humor, faith, courage,

compassion these don’t rot and vanish, they are impervious to bacteria,

stronger than time or gravity, they have their genesis in something less

fragile than blood and bone, in a soul that endures.

Though I believe that I’ll live beyond this life and that those I love

will be where I go next, I do still fear that they will depart ahead of

me, leaving me alone. Sometimes I wake from a nightmare in which I’m the

sole living person on earth, I lie in bed, trembling, afraid to call out

for Sasha or to use the telephone, fearful that no one will answer and

that the dream will have become reality.

Now, here, in the bungalow kitchen, Bobby said, “Hard to believe he

could be this far gone in three or four days.”

“Exposed to the elements, complete skeletonization can occur in two

weeks. Eleven or twelve days under the right circumstances.”

“So at any time … I’m two weeks from being bones.”

“It’s a quashing thought, isn’t it?”

“Major quash.” Having seen more than enough of the dead man, I directed

Pages: 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 197 198 199 200 201

Leave a Reply 0

Your email address will not be published. Required fields are marked *