Seize The Night. By: Dean R. Koontz

attack might be. With apologies to poets and diplomats and gentle

persons everywhere, I pulled the trigger.

I was hoping to hit him in the shoulder or arm, though I suspect it’s

only in movies that you can confidently calculate to wound a man rather

than kill him. In real life, panic and physics and fate screw things up.

Most likely, more often than not, in spite of the best intentions, the

polite wounding shot drills through the guy’s brain or bounces among his

ribs, off his sternum, and ends up dead-center in his heart or kills a

kindly grandmother baking cookies six blocks away.

This time, though I wasn’t firing another warning shot, I missed his

shoulder, arm, heart, brain, and everything else that would have bled.

Panic, physics, fate. The bullet tore into the club, spraying his face

with splinters and larger fragments of wood.

Suddenly convinced of his own mortality and perhaps recognizing the

incomparable danger of confronting a marksman as poor as I am, the

weasel pitched his makeshift cudgel, turned, and ran back toward the

elevator alcove.

I juked when I saw he was going to throw the club, but my Big Bag of

Really Smooth Moves was empty. Instead of ducking away from the club, I

cunningly dodged straight into it, got rapped across the chest, and

fell.

I was getting up even as I was going down, but by the time I made it to

my feet again, my assailant was nearing the end of the hall. My legs

were longer than his, but I wasn’t going to be able to catch up with him

easily.

If you’re looking for someone to shoot a man in the back, I’m not your

guy, regardless of the circumstances. My attacker safely turned the

corner into the elevator alcove where he switched on a flashlight of his

own.

Although I needed to nail this creep, finding Jimmy Wing was an even

higher priority. The boy might have been hurt and left to die.

Besides, when the kidnapper arrived at the top of the ladder, a toothy

surprise would be waiting for him. Orson wouldn’t let the guy get out of

the elevator shaft.

I scooped up the flashlight and hurried to the third in the line of

doors along the hall. It was ajar, and I pushed it all the way open.

Of the three chambers I’d thus far explored, this was the smallest, less

than half the size of the other two, so the light swept from wall to

wall. Jimmy was not here.

The only item of interest was a balled-up yellow cloth about ten feet

beyond the threshold. I almost ignored it, eager to try the next door

along the corridor, but then I ventured inside and, with the same hand

that held the gun, I plucked the rag off the floor.

It wasn’t a rag, after all, but the soft cotton top from a pair of

pajamas. A crew-neck pullover. About the right size for a five-year-old.

Across the chest, in red and black letters, were the words Jedi Knight.

A sudden foreboding made my mouth go dry.

When I’d followed Orson away from Lilly Wing’s house, I had already

reluctantly decided that her little boy was beyond saving, but

subsequently, against my better judgment, I had allowed myself to hope

too much. In this uncertain space between birth and death, especially

here at the end of the world in Moonlight Bay, we need hope as surely as

we need food and water, love and friendship. The trick, however, is to

remember that hope is a perilous thing, that it’s not a steel and

concrete bridge across the void between this moment and a brighter

future.

Hope is no stronger than tremulous beads of dew strung on a filament of

spider web, and it alone can’t long support the terrible weight of an

anguished mind and a tortured heart. Because I had loved Lilly for so

many years now as a friend, in other days, more deeply than one loves

even the dearest friend i had wanted to spare her from this worst of all

calamities, from the loss of a child. I had wanted this more desperately

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