Seize The Night. By: Dean R. Koontz

spiders and flies, with reverence, but I can’t ignore the fact that

spiders and flies bugs and worms and wriggly things in general will feed

on me when I’m dead. I don’t feel compelled to treat any creature as a

fellow citizen of the planet, with rights equal to mine and deserving of

all courtesies, if it regards me as dinner. I’m confident that Mother

Nature understands my attitude and is not offended.

The front door, its peeling paint somewhat phosphorescent in the

moonlight, was ajar. The corroded hinges didn’t creak but rasped like

the dry knuckle bones of a skeleton making a fist.

I stepped inside.

Because I had come in here for the express reason that I felt safer

under a roof than in the open, I considered closing the door.

Maybe the birds would suddenly shake off their eerie stupor and come

shrieking after me.

On the other hand, an open door is an avenue of escape. I left it open.

Although I was wrapped by silky blackness as effective as a blindfold, I

knew I was in the living room, because the hundreds of bungalows that do

have porches also share exactly the same floor plan, with nothing as

grand as a foyer or front hall. Living room, dining room, kitchen, and

two bedrooms.

Even when well maintained, these humble homes had offered the minimum

comforts to the mostly young military families who occupied them, each

family residing here for only a couple of years between transfers.

Now they smell of dust, mildew, dry rot, and mice.

The floors are tongue-and-groove wood covered with many coats of paint,

except for linoleum in the compact kitchen. Even under a self proclaimed

master of stealth like yours truly, they squeak.

The loose boards didn’t concern me. They ensured that no one could enter

from the back of the bungalow and easily sneak up on me.

My eyes adapted to the gloom enough to allow me to see the front

windows. Although these panes were set under the porch roof, they were

visible even in the indirect moonlight, ash-gray rectangles in the

otherwise pervasive blackness.

I went to the nearest of the two windows, neither of which was broken.

The glass was dirty, and with a Kleenex I polished a cleaner circle in

the center of it.

The front yards of these properties are not deep, between the Indian

laurels, I had a view of the nearby street. I didn’t expect to see a

parade go past, but since I find majorettes in short skirts to be as

much of a turn-on as anybody does, I thought it wise to be prepared.

I switched on my cell phone again and keyed in the number for the

unlisted back line that went directly to the broadcasting booth at KBAY,

the biggest radio station in Santa Rosita County, where Sasha Good all

was currently the disc jockey on the midnight-to-six air shift.

She was also the general manager, but since the station had lost the

military audience and thus a portion of its ad revenue with the closing of

Fort Wyvern, she was not the only one of the surviving employees to have

assumed double duty.

The back line doesn’t ring in the booth but activates a flashing blue

light on the wall opposite Sasha’s microphone. Evidently, she wasn’t

doing on-air patter at the moment, because instead of leaving the call

to the engineer, she herself picked it up, “Hey, Snowman.” I don’t have

sole possession of the back-line number, and like many privacy-minded

people, I directed the phone company to prevent my number from

registering on caller ID, yet even when the call doesn’t come through

her engineer, Sasha always knows if it’s me.

“Are you spinning a tune? ” I asked.

” A Mess of Blues.”

“Elvis.”

“Less than a minute to go.”

“I know how you do that, ” I said.

“Do what? ”

“Say, Hey, Snowman, before I speak a word.”

“So how do I do it? ”

“Probably half the calls you ever answer directly on the back line are

from me, so you always answer Hey, Snowman.”

“Wrong.”

“Right, ” I insisted.

“I never lie.” That was true.

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