Sue Grafton – “O” Is for Outlaw

He glanced at his watch. It was close to 8 P.M. “Time for me get home. My program’s coming on in two minutes.”

“I appreciate your time. Can I buy your dinner?”

Yount gave me a look. “Obvious you haven’t spent any time in the South. Lady doesn’t buy dinner for a gent. That’s his prerogative.” He reached in his pocket, pulled out a wad of bills, and tossed several on the bar.

At his suggestion, I spent the night at the Leisure Inn on Broadway. I might have tried the Brown Hotel, but it looked way too fancy for the likes of me. The Leisure Inn was plain, a sensible establishment of Formica, nylon carpet, foam rubber pillows, and a layer of crackling plastic laid under the bottom sheet in case I wet the bed. I put a call through to the airline and discussed the options for my return. The first (and only) seat available was on a P.M. flight the next day. I snagged it, wondering what I was going to do with myself until then. I considered a side visit to Louisville Male High, where Duncan had graduated with the class of 1961. Secretly, I doubted there was much to learn. Porter Yount had painted an unappealing portrait of the young Duncan Oaks. To me, he sounded shallow, spoiled, and manipulative. On the other hand,he was just a kid when he died: twenty-two, twenty-three years old at the outside. I suspect most of us are completely self-involved at that age. At twentytwo, I’d already been married and divorced. By twenty-three, I was not only married to Daniel but I’d left the police department and was totally adrift. I’d thought I was mature, but I was foolish and unenlightened. My judgment was faulty and my perception was flawed. So who was I to judge Duncan? He might have become a good man if he’d lived long enough. Thinking about it, I felt a curious secondhand sorrow for all the chances he’d missed, the lessons he never learned, the dreams he’d had to forfeit with his early death. Whoever he was and whatever he’d been, I could at least pay my respects.

At ten the next morning, I parked my rental car on a side street not far from Louisville Male High School, at the corner of Brook Street and Breckinridge. The building was three stories tall, constructed of dark red brick with white concrete trim. The surrounding neighborhood consisted of narrow red-brick houses with narrow walkways between. Many looked as if the interiors would smell peculiar. I went up the concrete stairs. Above the entrance, two gnomelike scholars were nestled in matching niches, reading plaques of some kind. The dates 1914 and 1915 were chiseled in stone, indicating, I supposed, the year the building had gone up. I pushed through the front door and went in.

The interior was defined by gray marble wainscoting, with gray-painted walls above. The foyer floor was speckled gray marble with inexplicable cracks here and there. In the auditorium, dead ahead, I could see descending banks of curved wooden seats and tiers of wooden flooring, faintly buckled with age. Classes must have been in session, because the corridors were empty and there was little traffic on the stairs. I went into the school office. The windows were tall. Long planks of fluorescent lighting hung from ceilings covered with acoustical tile. I asked for the school library and was directed to the third floor.

The school librarian, Mrs. Calloway, was a sturdy-looking soul in a calf-length denim skirt and a pair of indestructible walking shoes. Her iron-gray hair was chopped off in a fuss-free style she’d probably worn for years. Close to retirement, she looked like a woman who’d favor muesli, yoga, liniments, SAVE THE WHALES bumper stickers, polar-bear swims, and lengthy bicycle tours of foreign countries. When I asked to see a copy of the ’61 yearbook, she gave me a look but refrained from comment. She handed me the Bulldog and I took a seat at an empty table. She returned to her desk and busied herself, though I could tell she intended to keep an eye on me.

I spent a few minutes leafing through the Bulldog, looking at the black-and-white portraits of the senior class. I didn’t check for Duncan’s name. I simply absorbed the whole, trying to get a feel for the era, which predated mine by six years. The school had originally been all male, but it had turned coed somewhere along the way. Senior pictures showed the boys wearing coats and ties, their hair in brush cuts that emphasized their big ears and oddly shaped heads.

Many wore glasses with heavy black frames. The girls tended toward short hair and dark gray or black crewneck sweaters. Each wore a simple strand of pearls, probably a necklace provided by the photographer for uniformity. By 1967, the year I graduated, the hairstyles were bouffant, as stiffly lacquered as wigs, with flipped ends sticking out. The boys had all turned into Elvis Presley clones. Here, in candid class photos, most students wore penny loafers and white crew socks, and the girls were decked out in straight or pleated skirts that hit them at the knee.

I breezed by the Good News Club, the Speech Club, the Art Club, the Pep Club, and the Chess Club. In views of classes devoted to industrial arts, home ec, and world science, students were clumped together pointing at wall maps or gathered around the teacher’s desk, smiling and pretending to look interested. The teachers all appeared to be fifty-five and as dull as dust.

At Thanksgiving of that year, the fall of 1960, the annual Male-Manual game was played. Male High was victorious by a score of 0-6. “MALE BEATS MANUAL 0 To 6, CLINCHES CITY & AAA CROWNS,” the article said. “A neat, well-deserved licking of the duPont Manual Rams.” Co-captains were Walter Morris and Joe Blankenship. The rivalry between the two high schools had been long and fierce, beginning in 1893 and doubtless continuing to the present. At that time, the record showed 9 wins for Male, 19 for Manual, and 5 games tied. At the bottom of the page, in the accompanying photograph of the Manual offense, I found a halfback named Quintero, weighing 160.

I went back to the first page and started through again. Duncan Oaks showed up in a number of photographs, dark-haired and handsome. He’d been elected vice president, prom king, and class photographer. His name and face seemed to crop up in many guises: the senior play, Quill and Scroll, Glee Club. He was a Youth Speaks delegate, office aide, and library assistant.

He hadn’t garnered academic honors, but he had played football. I found a picture of him on the Male High team, a 160-pound halfback. Now that was interesting: Duncan Oaks and Benny Quintero had played the same position on opposing teams. They must have known each other, by reputation if nothing else. I thought about Porter Yount’s comment that these were Duncan’s glory years, that his life after this never approached the same heights. That might have been true for Quintero as well. In retrospect, it seemed touching that their paths had crossed again in Vietnam.

I turned to the front of the book and studied the picture of Duncan as prom king. He was wearing a tuxedo: shorn, clean-shaven, with a white boutonniere tucked into his lapel. I turned the page and studied the prom queen, wondering if they were boyfriend/girlfriend or simply elected separately and honored on the same occasion. Darlene LaDestro. Well, this was a type I’d known well. Long blond hair pulled up in a swirl on top, a strong nose, patrician air. She looked classy, familiar, like girls in my high school who came from big-time money. Though not conventionally pretty, Darlene was the kind of girl who’d age with style. She’d come back to class reunions having married her social equal, still thin as a rail, hair streaked tastefully with gray. Darlene LaDestro, what a name. You’d think she’d have dumped it the first chance she got, called herself Dodie or Dessie or A chill swept through me, and I made an involuntary bark of astonishment. Mrs. Calloway looked up, and I shook my head to indicate that I was fine, though I wasn’t. No wonder Darlene looked familiar. She was currently Laddie Bethel, alive and well and living in Santa Teresa.

TWENTY-FIVE.

I postponed my return, moving the reservation from Wednesday afternoon to a morning flight on Thursday to give myself time to compile some information. I’d combed copies of the 1958, 1959, 1960, 1961, and 1962 yearbooks for reference to Mark Bethel but had found no mention of him. If Laddie’d known him in those days, it wasn’t because he’d attended Louisville Male High. I made copious copies of the yearbook pages where Laddie and Duncan were featured, both together and separately, going all the way back to their freshman year. In many candid class pictures, the two were standing side by side.

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