“Nimue?” I said nervously, then stood up from behind my wicker screen. I was terrified. Snake fat was hissing in the fire and the bat was rustling in the roof.
Nimue smiled at me. “I need water, Derfel,” she said.
“Water?” I asked stupidly.
“To wash off the chicken blood,” Nimue explained.
“Chicken?”
“Water,” she said again. “There’s a jar by the door. Bring some.”
“In there?” I asked, astonished because her gesture seemed to imply that I should bring the water into Merlin’s rooms.
“Why not?” she asked, then walked through the door that was still impaled with the great boar spear while I lifted the heavy jar and followed to find her standing in front of a sheet of beaten copper that reflected her nude body. She was unembarrassed, perhaps because we had all run naked as children, but I was uncomfortably aware that the two of us were children no longer.
“Here?” I asked.
Nimue nodded. I put the jar down and backed towards the door. “Stay,” she said, ‘please stay. And shut the door.”
I had to prise the spear out of the door before I could close it. I did not like to ask how she had driven that spearhead through the oak for she was in no mood for questions, so I stayed silent as I worked the weapon free and Nimue washed the blood off her white skin, then wrapped herself in a black cloak. “Come here,” she said when she had finished. I crossed obediently to a bed of furs and woollen blankets that was piled on a low wooden platform where she evidently slept at nights. The bed was tented with a dark, musty cloth and in its darkness I sat and cradled her in my arms. I could feel her ribs through the cloak’s woollen softness. She was crying. I did not know why, so I just held her clumsily and stared about Merlin’s room.
It was an extraordinary place. There were scores of wooden chests and wicker baskets piled up to make nooks and corridors through which a tribe of skinny kittens stalked. In places the piles had collapsed as though someone had sought an object in a lower box and could not be bothered to dismantle the pile, so had just heaved the whole heap over. Dust lay everywhere. I doubted that the rushes on the floor had been changed in years, though in most places they had been overlaid with carpets or blankets that had been allowed to rot. The stench of the room was overpowering; a smell of dust, cat urine, damp, decay and mould all mixed with the more subtle aromas of the herbs hanging from the beams. A table stood at one side of the door and was piled with curling, crumbling parchments. Animal skulls occupied a dusty shelf over the table, and, as my eyes grew accustomed to the sepulchral gloom, I saw there were at least two human skulls among them. Faded shields were stacked against a vast clay pot in which a sheaf of cobwebbed spears was thrust. A sword hung against a wall. A smoking brazier stood in a heap of grey fire-ash close to the big copper mirror on which, extraordinarily, there hung a Christian cross with its twisted figure of their dead God nailed to its arms. The cross was draped with mistletoe as a precaution against its inherent evil. A great tangle of antlers hung from a rafter alongside bunches of dried mistletoe and a dangling clutch of roosting bats whose droppings made small heaps on the floor. Bats in a house were the worst omen, but I supposed that people as powerful as Merlin and Nimue had no need to worry about such prosaic threats. A second table was crowded with bowls, mortars, pestles, a metal balance, flasks and wax-sealed pots which I later discovered held dew collected from murdered men’s graves, the powder from crushed skulls and infusions of belladonna, mandrake and thorn-apple, while in a curious stone urn next to the table was heaped a jumble of eagle stones, fairy loaves, elf bolts, snake stones and hag stones, all mixed up with feathers, sea shells and pine cones. I had never seen a room so crowded, so filthy or so fascinating and I wondered if the chamber next door, Merlin’s Tower, was just as dreadfully wonderful.