Blood Test by Kellerman, Jonathan

A people pleaser. He cries during procedures—the

spinal tap really hurt him—but he holds ‘still and

gives no serious problems.” She stopped for a moment

and fought tears.

“It’s a goddamn crime, their pulling him out of

BLOOD TEST 65

treatment. I don’t like Melendez-Lynch, but’

damn it, he’s right this time! They’re going to kill

that little boy because somehow we screwed up,

and it’s driving me nuts.”

She pounded a small fist on the desk, snapped

herself to a standing position, and paced the cramped

Office. Her lower lip quivered.

I stood up and put my arms around her and she

buried her head in the warmth of my jacket.

“I feel like such a fool!”

“.You’re not.” I held her tightly. “None if it is

your fault.”

She pulled away and dabbed at her eyes. When

she seemed composed I said, “I’d’like to meet

Woody.”

She nodded and led me to the Laminar Airflow

Unit.

Ther.e were four modules, placed in series, like

rooms in a railroad flat, and shielded from one

another by a wall of curtain that could be opened or

drawn by pushing buttons inside each room. The

walls of the units were transparent plastic and

each room resembled an oversized ice cube, eight

feet square.

Three of the cubes were occupied. The fourth

was filled with supplies–toys, cots, bags of cloth-lng.

The interior side of the curtained wall in each

room was a perforated gray panel–the filter through

which air blew audibly. The doors of the modules

were segmented, the bottom half metal and closed,

the top plastic, and left ajar. Microbes were kept

out of the opening by the high speed at which the

air was expelled. Bunning parallel to all four units

were corridors on both sides, the rear passage for

visitors, the front for the medical staff.

66

Jonathan Kellerman

Two feet in front of the doorway to each module

was a no-entry area marked off by red tape on the

vinyl floor. I stood just outside the tape at the

entrance of Module Two and looked at Woody

Swope.

He lay on the bed, under the covers, facing away

fromus. There were plastic gloves attached to the

front wall of the module, which permitted manual

entry into the germ-free environment. Beverly put

her hands inside them and patted him on the head

gently.

“Good morning, sweetie.”

Slowly and with seeming effort, he rolled over

and stared at us.

“Hi.”

A week before Robin left for Japan, she and I

went to an exhibition of photographs by Roman

Vishniac. The pictures had been a chronicle of the

Jewish ghettos of Eastern Europe just before the

Holocaust. Many of the portraits were of children,

and the photographer’s lens had caught their small

faces unaware, flash-freezing the confusion and terror

it found there. The images were haunting, and

afterward we cried.

Now, looking into the large dark eyes of the boy

in the plastic room, these same feelings came back

in a rush.

His face was small and thin, the’ skin stretched

across delicate bone structure, translucently pale

in the artificial light of the module. His eyes, ‘like

those of his sister, were black, and glassy with

fever. The hair on his head was a thick mop of

henna-colored curls. Chemotherapy, if it ever happened,

would take care of those curls in a brutal,

though temporary, reminder of the disease.

BLOOD

Beverly stopped stroking his hair and held out

her glove. The boy took it and managed a smile.

“How we doing this morning, doll?”

“Okay.” His voice was soft and barely audible

through the plastic.

“This is Dr. Delaware, Woody.”

At the mention of the title he flinched and moved

back on the bed.

“He’s not the kind of doctor who gives shots. He

just talks to kids, like l do.”

That relaxed him somewhat, but he continued-to

look at me with apprehension.

“Hi, Woody,” I said. “Can we shake hands?”

“Okay.”

I put my hand into the glove Beverly relinquished.

It felt hot and dry–coated with talc, I recalled.

Reaching into the module I searched for his hand

and found it, a small treasure. I held it for a moment

and let go.

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