TALES FROM EARTHSEA by Ursula K. LeGuin

III. Azver

He left her at the comer of the street, a narrow, dull, somehow sly-looking street that slanted up between featureless walls to a wooden door in a higher wall. He had put his spell on her, and she looked like a man, though she did not feel like one. She and Ivory took each other in their arms, because after all they had been friends, companions, and he had done all this for her. “Courage!” he said, and let her go. She walked up the street and stood before the door. She looked back then, but he was gone.

She knocked.

After a while she heard the latch rattle. The door opened. An ordinary-looking middle-aged man stood there. “What can I do for you?” he said. He did not smile, but his voice was pleasant.

“You can let me into the Great House, sir.”

“Do you know the way in?” His almond-shaped eyes were attentive, yet seemed to look at her from miles or years away.

“This is the way in, sir.”

“Do you know whose name you must tell me before I let you in?”

“My own, sir. It is Irian.”

“Is it?” he said.

That gave her pause. She stood silent. “It’s the name the witch Rose of my village on Way gave me, in the spring under Iria Hill,” she said at last, standing up and speaking truth.

The Doorkeeper looked at her for what seemed a long time. Then it is your name,” he said. “But maybe not all your name. I think you have another.”

“I don’t know it, sir.”

After another long time she said, “Maybe I can learn it here, sir.”

The Doorkeeper bowed his head a little. A very faint smile made crescent curves in his cheeks. He stood aside. “Come in, daughter,” he said.

She stepped across the threshold of the Great House.

Ivory’s spell of semblance dropped away like a cobweb. She was and looked herself.

She followed the Doorkeeper down a stone passageway. Only at the end of it did she think to turn back to see the light shine through the thousand leaves of the tree carved in the high door in its bone-white frame.

A young man in a grey cloak hurrying down the passageway stopped short as he approached them. He stared at Irian; then with a brief nod he went on. She looked back at him. He was looking back at her.

A globe of misty, greenish fire drifted swiftly down the corridor at eye level, apparently pursuing the young man. The Doorkeeper waved his hand at it, and it avoided him. Irian swerved and ducked down frantically, but felt the cool fire tingle in her hair as it passed over her. The Doorkeeper looked round, and now his smile was wider. Though he said nothing, she felt he was aware of her, concerned for her. She stood up and followed him.

He stopped before an oak door. Instead of knocking he sketched a little sign or rune on it with the top of his staff, a light staff of some greyish wood. The door opened as a resonant voice behind it said, “Come in!”

“Wait here a little, if you please, Irian,” the Doorkeeper said, and went into the room, leaving the door wide open behind him. She could see bookshelves and books, a table piled with more books and inkpots and writings, two or three boys seated at the table, and the grey-haired, stocky man the Doorkeeper spoke to. She saw the man’s face change, saw his eyes shift to her in a brief, startled gaze, saw him question the Doorkeeper, low-voiced, intense.

They both came to her. “The Master Changer of Roke: Irian of Way,” said the Doorkeeper.

The Changer stared openly at her. He was not as tall as she was. He stared at the Doorkeeper, and then at her again.

“Forgive me for talking about you before your face, young woman,” he said, “but I must. Master Doorkeeper, you know I’d never question your judgment, but the Rule is clear. I have to ask what moved you to break it and let her come in.”

“She asked to,” said the Doorkeeper.

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