TALES FROM EARTHSEA by Ursula K. LeGuin

“Where am I, donkey?” he said to it. “How do I get to the town I saw?”

The donkey leaned its head hard against his hand so that he would go on scratching the place just above its eyes and below its ears. When he did so, it flicked its long right ear. So when he parted from the donkey he took the right hand of the crossroad, though it looked as if it would lead back to the hill; and soon enough he came among houses, and then onto a street that brought him down at last into the town at the head of the bay.

It was as strangely quiet as the farmlands. Not a voice, not a face. It was difficult to feel uneasy in an ordinary-looking town on a sweet spring morning, but in such silence he must wonder if he was indeed in a plague-stricken place or an island under a curse. He went on. Between a house and an old plum tree was a wash line, the clothes pinned on it flapping in the sunny breeze. A cat came round the corner of a garden, no abandoned starveling but a white-pawed, well-whiskered, prosperous cat. And at last, coming down the steep little street, which here was cobbled, he heard voices.

He stopped to listen, and heard nothing.

He went on to the foot of the street. It opened into a small market square. People were gathered there, not many of them. They were not buying or selling. There were no booths or stalls set up. They were waiting for him.

Ever since he had walked on the green hill above the town and had seen the bright shadows in the grass, his heart had been easy. He was expectant, full of a sense of great strangeness, but not frightened. He stood still and looked at the people who came to meet him.

Three of them came forward: an old man, big and broad-chested, with bright white hair, and two women. Wizard knows wizard, and Medra knew they were women of power.

He raised his hand closed in a fist and then turning and opening it, offered it to them palm up.

“Ah,” said one of the women, the taller of the two, and she laughed. But she did not answer the gesture.

“Tell us who you are,” the white-haired man said, courteously enough, but without greeting or welcome. “Tell us how you came here.”

“I was born in Havnor and trained as a shipwright and a sorcerer. I was on a ship bound from Geath to O Port. I was spared alone from drowning, last night, when a witchwind struck.” He was silent then. The thought of the ship and the chained men in her swallowed his mind as the black sea had swallowed them. He gasped, as if coming up from drowning.

“How did you come here?”

“As… as a bird, a tern. Is this Roke Island?”

“You changed yourself?”

He nodded.

“Whom do you serve?” asked the shorter and younger of the women, speaking for the first time. She had a keen, hard face, with long black brows.

“I have no master.”

“What was your errand in O Port?”

“In Havnor, years ago, I was in servitude. Those who freed me told me about a place where there are no masters, and the rule of Serriadh is remembered, and the arts are honored. I have been looking for that place, that island, seven years.”

“Who told you about it?”

“Women of the Hand.”

“Anyone can make a fist and show a palm,” said the tall woman, pleasantly. “But not everyone can fly to Roke. Or swim, or sail, or come in any way at all. So we must ask what brought you here.”

Medra did not answer at once. “Chance,” he said at last, “favoring long desire. Not art. Not knowledge. I think I’ve come to the place I sought, but I don’t know. I think you may be the people they told me of, but I don’t know. I think the trees I saw from the hill hold some great mystery, but I don’t know. I only know that since I set foot on that hill I’ve been as I was when I was a child and first heard The Deed of Enlad sung. I am lost among wonders.”

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