The Count of Monte Cristo by Alexandre Dumas. Part one

He thought a moment, cut a branch of a resinous tree, lighted it at the fire at which the smugglers had prepared their breakfast, and descended with this torch. He wished to see everything. He approached the hole he had dug. and now, with the aid of the torch, saw that his pickaxe had in reality struck against iron and wood. He planted his torch in the ground and resumed his labor. In an instant a space three feet long by two feet broad was cleared, and Dantes could see an oaken coffer, bound with cut steel; in the middle of the lid he saw engraved on a silver plate, which was still untarnished, the arms of the Spada family — viz., a sword, pale, on an oval shield, like all the Italian armorial bearings, and surmounted by a cardinal’s hat; Dantes easily recognized them, Faria had so often drawn them for him. There was no longer any doubt: the treasure was there — no one would have been at such pains to conceal an empty casket. In an instant he had cleared every obstacle away, and he saw successively the lock, placed between two padlocks, and the two handles at each end, all carved as things were carved at that epoch, when art rendered the commonest metals precious. Dantes seized the handles, and strove to lift the coffer; it was impossible. He sought to open it; lock and padlock were fastened; these faithful guardians seemed unwilling to surrender their trust. Dantes inserted the sharp end of the pickaxe between the coffer and the lid, and pressing with all his force on the handle, burst open the fastenings. The hinges yielded in their turn and fell, still holding in their grasp fragments of the wood, and the chest was open.

Edmond was seized with vertigo; he cocked his gun and laid it beside him. He then closed his eyes as children do in order that they may see in the resplendent night of their own imagination more stars than are visible in the firmament; then he re-opened them, and stood motionless with amazement. Three compartments divided the coffer. In the first, blazed piles of golden coin; in the second, were ranged bars of unpolished gold, which possessed nothing attractive save their value; in the third, Edmond grasped handfuls of diamonds, pearls, and rubies, which, as they fell on one another, sounded like hail against glass. After having touched, felt, examined these treasures, Edmond rushed through the caverns like a man seized with frenzy; he leaped on a rock, from whence he could behold the sea. He was alone — alone with these countless, these unheard-of treasures! Was he awake, or was it but a dream?

He would fain have gazed upon his gold, and yet he had not strength enough; for an instant he leaned his head in his hands as if to prevent his senses from leaving him, and then rushed madly about the rocks of Monte Cristo, terrifying the wild goats and scaring the sea-fowls with his wild cries and gestures; then he returned, and, still unable to believe the evidence of his senses, rushed into the grotto, and found himself before this mine of gold and jewels. This time he fell on his knees, and, clasping his hands convulsively, uttered a prayer intelligible to God alone. He soon became calmer and more happy, for only now did he begin to realize his felicity. He then set himself to work to count his fortune. There were a thousand ingots of gold, each weighing from two to three pounds; then he piled up twenty-five thousand crowns, each worth about eighty francs of our money, and bearing the effigies of Alexander VI. and his predecessors; and he saw that the complement was not half empty. And he measured ten double handfuls of pearls, diamonds, and other gems, many of which, mounted by the most famous workmen, were valuable beyond their intrinsic worth. Dantes saw the light gradually disappear, and fearing to be surprised in the cavern, left it, his gun in his hand. A piece of biscuit and a small quantity of rum formed his supper, and he snatched a few hours’ sleep, lying over the mouth of the cave.

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