The Count of Monte Cristo by Alexandre Dumas. Part two

The curtain fell almost immediately after the entrance of Madame Danglars into her box, the band quitted the orchestra for the accustomed half-hour’s interval allowed between the acts, and the audience were left at liberty to promenade the salon or lobbies, or to pay and receive visits in their respective boxes. Morcerf and Chateau-Renaud were amongst the first to avail themselves of this permission. For an instant the idea struck Madame Danglars that this eagerness on the part of the young viscount arose from his impatience to join her party, and she whispered her expectations to her daughter, that Albert was hurrying to pay his respects to them. Mademoiselle Eugenie, however, merely returned a dissenting movement of the head, while, with a cold smile, she directed the attention of her mother to an opposite box on the first circle, in which sat the Countess G — , and where Morcerf had just made his appearance. “So we meet again, my travelling friend, do we?” cried the countess, extending her hand to him with all the warmth and cordiality of an old acquaintance; “it was really very good of you to recognize me so quickly, and still more so to bestow your first visit on me.”

“Be assured,” replied Albert, “that if I had been aware of your arrival in Paris, and had known your address, I should have paid my respects to you before this. Allow me to introduce my friend, Baron de Chateau-Renaud, one of the few true gentlemen now to be found in France, and from whom I have just learned that you were a spectator of the races in the Champ-de-Mars, yesterday.” Chateau-Renaud bowed to the countess.

“So you were at the races, baron?” inquired the countess eagerly.

“Yes, madame.”

“Well, then,” pursued Madame G — with considerable animation, “you can probably tell me who won the Jockey Club stakes?”

“I am sorry to say I cannot,” replied the baron; “and I was just asking the same question of Albert.”

“Are you very anxious to know, countess?” asked Albert.

“To know what?”

“The name of the owner of the winning horse?”

“Excessively; only imagine — but do tell me, viscount, whether you really are acquainted with it or no?”

“I beg your pardon, madame, but you were about to relate some story, were you not? You said, ‘only imagine,’ — and then paused. Pray continue.”

“Well, then, listen. You must know I felt so interested in the splendid roan horse, with his elegant little rider, so tastefully dressed in a pink satin jacket and cap, that I could not help praying for their success with as much earnestness as though the half of my fortune were at stake; and when I saw them outstrip all the others, and come to the winning-post in such gallant style, I actually clapped my hands with joy. Imagine my surprise, when, upon returning home, the first object I met on the staircase was the identical jockey in the pink jacket! I concluded that, by some singular chance, the owner of the winning horse must live in the same hotel as myself; but, as I entered my apartments, I beheld the very gold cup awarded as a prize to the unknown horse and rider. Inside the cup was a small piece of paper, on which were written these words — ‘From Lord Ruthven to Countess G — .’”

“Precisely; I was sure of it,” said Morcerf.

“Sure of what?”

“That the owner of the horse was Lord Ruthven himself.”

“What Lord Ruthven do you mean?”

“Why, our Lord Ruthven — the Vampire of the Salle Argentino!”

“Is it possible?” exclaimed the countess; “is he here in Paris?”

“To be sure, — why not?”

“And you visit him? — meet him at your own house and elsewhere?”

“I assure you he is my most intimate friend, and M. de Chateau-Renaud has also the honor of his acquaintance.”

“But why are you so sure of his being the winner of the Jockey Club prize?”

“Was not the winning horse entered by the name of Vampa?”

“What of that?”

“Why, do you not recollect the name of the celebrated bandit by whom I was made prisoner?”

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