“Really? and what has procured me so fluttering a distinction?”
“What? why, yourself, to be sure! You give away horses worth a thousand louis; you save the lives of ladies of high rank and beauty; under the name of Major Brack you run thoroughbreds ridden by tiny urchins not larger than marmots; then, when you have carried off the golden trophy of victory, instead of setting any value on it, you give it to the first handsome woman you think of!”
“And who has filled your head with all this nonsense?”
“Why, in the first place, I heard it from Madame Danglars, who, by the by, is dying to see you in her box, or to have you seen there by others; secondly, I learned it from Beauchamp’s journal; and thirdly, from my own imagination. Why, if you sought concealment, did you call your horse Vampa?”
“That was an oversight, certainly,” replied the count; “but tell me, does the Count of Morcerf never visit the Opera? I have been looking for him, but without success.”
“He will be here to-night.”
“In what part of the house?”
“In the baroness’s box, I believe.”
“That charming young woman with her is her daughter?”
“Yes.”
“I congratulate you.” Morcerf smiled. “We will discuss that subject at length some future time,” said he. “But what do you think of the music?”
“What music?”
“Why, the music you have been listening to.”
“Oh, it is well enough as the production of a human composer, sung by featherless bipeds, to quote the late Diogenes.”
“From which it would seem, my dear count, that you can at pleasure enjoy the seraphic strains that proceed from the seven choirs of paradise?”
“You are right, in some degree; when I wish to listen to sounds more exquisitely attuned to melody than mortal ear ever yet listened to, I go to sleep.”
“Then sleep here, my dear count. The conditions are favorable; what else was opera invented for?”
“No, thank you. Your orchestra is too noisy. To sleep after the manner I speak of, absolute calm and silence are necessary, and then a certain preparation” —
“I know — the famous hashish!”
“Precisely. So, my dear viscount, whenever you wish to be regaled with music come and sup with me.”
“I have already enjoyed that treat when breakfasting with you,” said Morcerf.
“Do you mean at Rome?”
“I do.”
“Ah, then, I suppose you heard Haidee’s guzla; the poor exile frequently beguiles a weary hour in playing over to me the airs of her native land.” Morcerf did not pursue the subject, and Monte Cristo himself fell into a silent reverie. The bell rang at this moment for the rising of the curtain. “You will excuse my leaving you,” said the count, turning in the direction of his box.
“What? Are you going?”
“Pray, say everything that is kind to Countess G — on the part of her friend the Vampire.”
“And what message shall I convey to the baroness!”
“That, with her permission, I shall do myself the honor of paying my respects in the course of the evening.”
The third act had begun; and during its progress the Count of Morcerf, according to his promise, made his appearance in the box of Madame Danglars. The Count of Morcerf was not a person to excite either interest or curiosity in a place of public amusement; his presence, therefore, was wholly unnoticed, save by the occupants of the box in which he had just seated himself. The quick eye of Monte Cristo however, marked his coming; and a slight though meaning smile passed over his lips. Haidee, whose soul seemed centred in the business of the stage, like all unsophisticated natures, delighted in whatever addressed itself to the eye or ear.
The third act passed off as usual. Mesdemoiselles Noblet, Julie, and Leroux executed the customary pirouettes; Robert duly challenged the Prince of Granada; and the royal father of the princess Isabella, taking his daughter by the hand, swept round the stage with majestic strides, the better to display the rich folds of his velvet robe and mantle. After which the curtain again fell, and the spectators poured forth from the theatre into the lobbies and salon. The count left his box, and a moment later was saluting the Baronne Danglars, who could not restrain a cry of mingled pleasure and surprise. “You are welcome, count!” she exclaimed, as he entered. “I have been most anxious to see you, that I might repeat orally the thanks writing can so ill express.”