The Fun House. By: Dean R. Koontz

a couple of dirty rags that were on the workbench, then he put the rags

with his coveralls. Finally he stacked the other tarps on top of all

that incriminating evidence, until there was nothing to see but a mound

of rumpled canvas. No one would stumble across the dead woman, at

least not during the few hours she would be there.

Conrad put on his street clothes and left the funhouse by a rear

door.

Because the basement wasn’t underground, the door opened onto the warm,

late-afternoon sunshine behind the building.

He walked to the nearest comfort station. Because the gates had opened

only minutes ago, there weren’t yet any marks in the restrooms. Conrad

scrubbed his hands until they were as clean as a surgeon’s.

He returned to the funhouse and walked around to the front of it.

The giant clown’s face was laughing. Elton, one of Conrad’s employees,

was selling tickets. Ghost was working at the boarding gate. Gunther

was dressed like the Frankenstein monster and was growling

enthusiastically at the marks, he saw Conrad, and they stared at each

other for a moment, and although they were too far apart to see each

other’s eyes, an understanding passed between them.

–I did it again.

–I know. I found her.

–What now?

protect you.

Until night fell over the fairgrounds, Conrad worked on the pitchman’s

platform, ballying the marks, drawing them in with his polished

spiel.

As soon as darkness came, he complained of a migraine headache and told

Ghost that he was going back to his motor home to lie down.

Instead, he went to the large parking area adjacent to the fairgrounds,

and he searched for Janet Middlemeir’s car. He had the miniature

license plate on her key ring to guide him, and even though there were

a great many cars to check through, he located her Dodge Omni in just

half an hour.

He drove the Omni onto the lot through a service gate, well aware that

he was leaving an evidential trail in other people’s memories, but

there was nothing else he could do. He parked in the shadows behind

the funhouse.

The service alley was deserted at the moment. He hoped no one would

stroll past on the way to the comfort station.

He entered the funhouse basement through the rear door and carried out

the tarp that contained the corpse, while the marks screamed at

mechanical monsters in the dark tunnels overhead. He put the gruesome

bundle in the Omni’s trunk, and then he drove away from the

fairgrounds.

Although he had never been so bold before, he decided the best place to

leave the dead woman was in her own home. If the police thought she

had been murdered in her own house by an intruder, they wouldn’t be

likely to link the killing with the carnival. It would look like just

another random act of senseless violence, the sort of thing the cops

saw all the time.

Two miles from the fairgrounds, in a supermarket parking lot, he looked

through the car, trying to find some indication of where Janet

Middlemeir lived. He discovered her purse under the front seat, where

she had left it while making her inspection tour of the carnival. He

went through the contents of the purse and found her address on her

driver’s license.

With the help of a map that he picked up at an Erron station, Conrad

managed to find the pleasant apartment complex in which the woman

lived.

There were a number of long, two- and threestory, colonial-style

buildings angled through and around the park-like grounds. Janet

Middlemeir’s unit was on the ground floor, at the corner of one of the

buildings, and there was an empty parking slot behind her place, not

more than fifteen feet from her back door.

The apartment was dark, and Conrad hoped that she lived alone.

He hadn’t found anything to indicate that she was married. There were

no rings on her hands, nothing in her purse bore the word “Mrs.” Of

course she might have a girlfriend rooming with her, or there might be

a live-in boyfriend. That could mean trouble. Conrad was prepared to

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