‘I have learned many odes of many poets,’ said she, quickly and confusedly avoiding the mention of Vetranio, which a direct answer to Hermanric’s question must have produced, ‘but I remember none perfectly, save those whose theme is of spirits and of other worlds, and of the invisible beauty that we think of but cannot see. Of the few that I know of these, there is one that I first learned and loved most. I will sing it, that you may be assured I will not fail to you in my promised art.’
She hesitated for a moment. Sorrowful remembrances of the events that had followed the utterance of the last notes she sang in her father’s garden, swelled within her, and held her speechless. Soon, however, after a short interval of silence, she recovered her self-possession, and began to sing, in low tremulous tones, that harmonised well with the character of the words and the strain of the melody which she had chosen.
The Mission Of The Tear
I.
The skies were its birth-place–the tear was the child Of the dark maiden sorrow, by young joy beguil’d; It was born in convulsion; ’twas nurtur’d in woe; And the world was yet young when it wander’d below.
II.
No angel-bright guardians watch’d over its birth, Ere yet it was suffer’d to roam upon earth; No spirits of gladness its soft form caress’d; sighs mourned round its cradle, and hush’d it to rest.
III.
Though joy might endeavour, with kisses and wiles, To lure it away to his household of smiles: From the daylight he lived in it turn’d in affright, To nestle with sorrow in climates of night.
IV.
When it came upon earth, ’twas to choose a career, The brightest and best that is left to a tear; To hallow delight, and bestow the relief Denied by despair to the fulness of grief.
V.
Few repell’d it–some bless’d it–wherever it came; Whether soft’ning their sorrow, or soothing their shame; And the joyful themselves, though its name they might fear, Oft welcom’d the calming approach of the tear!
VI.
Years on years have worn onward, as–watch’d from above–Speeds that meek spirit yet on its labour of love; Still the exile of Heav’n, it ne’er shall away, Every heart has a home for it, roam where it may!
For the first few minutes after she had concluded the ode, Hermanric was hardly conscious that she had ceased; and when at length she looked up at him, her mute petition for approval had an eloquence which would have been marred to the Goth at that moment, by the utterance of single word. A rapture, an inspiration, a new life moved within him. The hour and the scene completed what the magic of the song had begun. His expression now glowed with a southern warmth; his words assumed a Roman fervour. Gradually, as they discoursed, the voice of the girl was less frequently audible. A change was passing over her spirit; from the teacher, she was now becoming the pupil.
As she still listened to the Goth, as she felt the birth of new feelings within her while he spoke, her cheeks glowed, her features lightened up, her very form seemed to freshen and expand. No intruding thought or awakening remembrance disturbed her rapt attention. No cold doubt, no gloomy hesitation, appeared in her companion’s words. The one listened, the other spoke, with the whole heart, the undivided soul. While a world-wide revolution was concentrating its hurricane forces around them; while the city of an Empire tottered already to its tremendous fall; while Goisvintha plotted new revenge; while Ulpius toiled for his revolution of bloodshed and ruin; while all these dark materials of public misery and private strife seethed and strengthened around them, they could as completely forget the stormy outward world, in themselves; they could think as serenely of tranquil love; the kiss could be given as passionately and returned as tenderly, as if the lot of their existence had been cast in the pastoral days of the shepherd poets, and the future of their duties and enjoyments was securely awaiting them in a land of eternal peace!
Chapter 14.
The Famine.
The end of November is approaching. Nearly a month has elapsed since the occurrence of the events mentioned in the last chapter, yet still the Gothic lines stretch round the city walls. Rome, that we left haughty and luxurious even while ruin threatened her at her gates, has now suffered a terrible and warning change. As we approach her again, woe, horror, and desolation have already gone forth to shadow her lofty palaces and to darken her brilliant streets.
Over Pomp that spurned it, over Pleasure that defied it, over Plenty that scared it in its secret rounds, the spectre Hunger has now risen triumphant at last. Day by day has the city’s insufficient allowance of food been more and more sparingly doled out; higher and higher has risen the value of the coarsest and simplest provision; the hoarded supplies that pity and charity have already bestowed to cheer the sinking people have reached their utmost limits. For the rich, there is still corn in the city–treasure of food to be bartered for treasure of gold. For the poor, man’s natural nourishment exists no more; the season of famine’s loathsome feasts, the first days of the sacrifice of choice to necessity have darkly and irretrievably begun.
It is morning. A sad and noiseless throng is advancing over the cold flagstones of the great square before the Basilica of St. John Lateran. The members of the assembly speak in whispers. The weak are tearful–the strong are gloomy–they all move with slow and languid gait, and hold in their arms their dogs or other domestic animals. On the outskirts of the crowd march the enfeebled guards of the city, grasping in their rough hands rare favourite birds of gaudy plumage and melodious note, and followed by children and young girls vainly and piteously entreating that their favourites may be restored.
This strange procession pauses, at length, before a mighty caldron slung over a great fire in the middle of the square, round which stand the city butchers with bare knives, and the trustiest men of the Roman legions with threatening weapons. A proclamation is then repeated, commanding the populace who have no money left to purchase food, to bring up their domestic animals to be boiled together over the public furnace, for the sake of contributing to the public support.
The next minute, in pursuance of this edict, the dumb favourites of the crowd passed from the owner’s caressing hand into the butcher’s ready grasp. The faint cries of the animals, starved like their masters, mingled for a few moments with the sobs and lamentations of the women and children, to whom the greater part of them belonged. For, in this the first stage of their calamities, that severity of hunger which extinguishes pity and estranges grief was unknown to the populace; and though fast losing spirit, they had not yet sunk to the depths of ferocious despair which even now were invisibly opening between them. A thousand pangs were felt, a thousand humble tragedies were acted, in the brief moments of separation between guardian and charge. The child snatched its last kiss of the bird that had sung over its bed; the dog looked its last entreaty for protection from the mistress who had once never met it without a caress. Then came the short interval of agony and death, then the steam rose fiercely from the greedy caldron, and then the people for a time dispersed; the sorrowful to linger near the confines of the fire, and the hungry to calm their impatience by a visit to the neighbouring church.
The marble aisles of the noble basilica held a gloomy congregation. Three small candles were alone lighted on the high altar. No sweet voices sang melodious anthems or exulting hymns. The monks, in hoarse tones and monotonous harmonics, chanted the penitential psalms. Here and there knelt a figure clothed in mourning robes, and absorbed in secret prayer; but over the majority of the assembly either blank despondency or sullen inattention universally prevailed.
As the last dull notes of the last psalm died away among the lofty recesses of the church, a procession of pious Christians appeared at the door and advanced slowly to the altar. It was composed both of men and women barefooted, clothed in black garments, and with ashes scattered over their dishevelled hair. Tears flowed from their eyes, and they beat their breasts as they bowed their foreheads on the marble pavement of the altar steps.
This humble public expression of penitence under the calamity that had now fallen on the city was, however, confined only to its few really religious inhabitants, and commanded neither sympathy nor attention from the heartless and obstinate population of Rome. Some still cherished the delusive hope of assistance from the court at Ravenna; others believed that the Goths would ere long impatiently abandon their protracted blockade, to stretch their ravages over the rich and unprotected fields of Southern Italy. But the same blind confidence in the lost terrors of the Roman name, the same fierce and reckless determination to defy the Goths to the very last, sustained the sinking courage and suppressed the despondent emotions of the great mass of the suffering people, from the beggar who prowled for garbage, to the patrician who sighed over his new and unwelcome nourishment of simple bread.