Antonina, or The fall of Rome Book by Wilkie Collins

‘What is the present aspect of the city?’ interrupted Vetranio impatiently.

‘Rome is as gloomy as a subterranean sepulchre,’ replied Carrio, with a shudder. ‘The people congregate in speechless and hungry mobs at the doors of their houses and the corners of the streets, the sentinels at the ramparts totter on their posts, women and children are sleeping exhausted on the very pavements of the churches, the theatres are emptied of actors and audience alike, the baths resound with cries for food and curses on the Goths, thefts are already committed in the open and unguarded shops, and the barbarians remain fixed in their encampments, unapproached by our promised legions from Ravenna, neither assaulting us in our weakness, nor preparing to raise the blockade! Our situation grows more and more perilous. I have great hopes in our store of provisions; but–‘

‘Cast your hopes to the court at Ravenna, and your beasts’ provender to the howling mob!’ cried Vetranio with sudden energy. ‘It is now too late to yield; if the next few days bring us no assistance, the city will be a human shambles! And think you that I, who have already lost in this public suspension of social joys my pleasures, my employments, and my companions, will wait serenely for the lingering and ignoble death that must then threaten us all? No, it shall never be said that I died starving with the herd, like a slave that his master deserts! Though the plates in my banqueting hall must now be empty, my vases and wine-cups shall yet sparkle for my guests! There is still wine in the cellar, and spices and perfumes remain in the larder stores! I will invite my friends to a last feast; a saturnalia in a city of famine; a banquet of death, spread by the jovial labours of Silenus and his fauns! Though the Parcae have woven for me the destiny of a dog, it is the hand of Bacchus that shall sever the fatal thread!’

His cheeks were flushed, his eyes sparkled; all the mad energy of his determination appeared in his face as he spoke. He was no longer the light, amiable, smooth-tongued trifler, but a moody, reckless, desperate man, careless of every obligation and pursuit which had hitherto influenced the easy surface of his patrician life. The startled Camilla, who had as yet preserved a melancholy silence, ran towards him with affrighted looks and undissembled tears. Carrio stared in vacant astonishment on his master’s disordered countenance; and, forgetting his bundle of dogskins, suffered them to drop unheeded on the floor. A momentary silence followed, which was suddenly interrupted by the abrupt entrance of a fourth person, pale, trembling and breathless, who was no other than Vetranio’s former visitor, the Prefect Pompeianus.

‘I bid you welcome to my approaching feast of brimming wine-cups and empty dishes!’ cried Vetranio, pouring the sparkling Falernian into his empty glass. ‘The last banquet given in Rome, ere the city is annihilated, will be mine! The Goths and the famine shall have no part in my death! Pleasure shall preside at my last moments, as it has presided at my whole life! I will die like Sardanapalus, with my loves and my treasures around me, and the last of my guests who remains proof against our festivity shall set fire to my palace, as the kingly Assyrian set fire to his!’

‘This is no season for jesting,’ exclaimed the Prefect, staring round him with bewildered eyes and colourless cheeks. ‘Our miseries are but dawning as yet! In the next street lies the corpse of a woman, and- horrible omen!–a coil of serpents is wreathed about her neck! We have no burial-place to receive her, and the thousands who may die like her, ere assistance arrives. The city sepulchres outside the walls are in the hands of the Goths. The people stand round the body in a trance of horror, for they have now discovered a fatal truth we would fain have concealed from them;’ here the Prefect paused, looked round affrightedly on his listeners, and then added in low trembling tones-

‘The citizens are lying dead from famine in the streets of Rome!’

Chapter 15.

The City And The Gods.

We return once more to the Gothic encampment in the suburbs eastward of the Pincian Gate, and to Hermanric and the warriors under his command, who are still posted at that particular position on the great circle of the blockade.

The movements of the young chieftain from place to place expressed, in their variety and rapidity, the restlessness that was agitating his mind. He glanced back frequently from the warriors around him to the remote and opposite quarter of the suburbs, occasionally directing his eyes towards the western horizon, as if anxiously awaiting the approach of some particular hour of the coming night. Weary at length of pursuing occupations which evidently irritated rather than soothed his impatience, he turned abruptly from his companions, and advancing towards the city, paced slowly backwards and forwards over the waste ground between the suburbs and the walls of Rome.

At intervals he still continued to examine the scene around him. A more dreary prospect than now met his view, whether in earth or sky, can hardly be conceived.

The dull sunless day was fast closing, and the portentous heaven gave promise of a stormy night. Thick, black layers of shapeless cloud hung over the whole firmament, save at the western point; and here lay a streak of pale, yellow light, enclosed on all sides by the firm, ungraduated, irregular edges of the masses of gloomy vapour around it. A deep silence hung over the whole atmosphere. The wind was voiceless among the steady trees. The stir and action in the being of nature and the life of man seemed enthralled, suspended, stifled. The air was laden with a burdensome heat; and all things on earth, animate and inanimate, felt the oppression that weighed on them from the higher elements. The people who lay gasping for breath in the famine-stricken city, and the blades of grass that drooped languidly on the dry sward beyond the walls, owned the enfeebling influence alike.

As the hours wore on and night stealthily and gradually advanced, a monotonous darkness overspread, one after another, the objects discernible to Hermanric from the solitary ground he still occupied. Soon the great city faded into one vast, impenetrable shadow, while the suburbs and the low country around them vanished in the thick darkness that gathered almost perceptibly over the earth. And now the sole object distinctly visible was the figure of a weary sentinel, who stood on the frowning rampart immediately above the rifted wall, and whose drooping figure, propped upon his weapon, was indicated in hard relief against the thin, solitary streak of light still shining in the cold and cloudy wastes of the western sky.

But as the night still deepened, this one space of light faded, contracted, vanished, and with it disappeared the sentinel and the line of rampart on which he was posted. The rule of the darkness now became universal. Densely and rapidly it overspread the whole city with startling suddenness; as if the fearful destiny now working its fulfilment in Rome had forced the external appearances of the night into harmony with its own woe-boding nature.

Then, as the young Goth still lingered at his post of observation, the long, low, tremulous, absorbing roll of thunder afar off became grandly audible. It seemed to proceed from a distance almost incalculable; to be sounding from its cradle in the frozen north; to be journeying about its ice-girdled chambers in the lonely poles. It deepened rather than interrupted the dreary, mysterious stillness of the atmosphere. The lightning, too, had a summer softness in its noiseless and frequent gleam. It was not the fierce lightning of winter, but a warm, fitful brightness, almost fascinating in its light, rapid recurrence, tinged with the glow of heaven, and not with the glare of hell.

There was no wind–no rain; and the air was as hushed as if it slept over chaos in the infancy of a new creation.

Among the various objects displayed, instant by instant, by the rapid lightning to the eyes of Hermanric, the most easily and most distinctly visible was the broad surface of the rifted wall. The large, loose stones, scattered here and there at its base, and the overhanging lid of its broad rampart, became plainly though fitfully apparent in the brief moments of their illumination. The lightning had played for some time over that structure of the fortifications, and the bare ground that stretched immediately beyond them, when the smooth prospect which it thus gave by glimpses to view, was suddenly chequered by a flight of birds appearing from one of the lower divisions of the wall, and flitting uneasily to and fro at one spot before its surface.

As moment after moment the lightning continued to gleam, so the black forms of the birds were visible to the practised eye of the Goth- perceptible, yet evanescent, as sparks of fire or flakes of snow- whirling confusedly and continually about the spot whence they had evidently been startled by some unimaginable interruption. At length, after a lapse of some time, they vanished as suddenly as they had appeared, with shrill notes of affright which were audible even above the continuous rolling of the thunder; and immediately afterwards, when the lightning alternated with the darkness, there appeared to Hermanric, in the part of the wall where the birds had been first disturbed, a small red gleam, like a spark of fire lodged in the surface of the structure. Then this was lost; a longer obscurity than usual prevailed in the atmosphere, and when the Goth gazed eagerly through the next succession of flashes, they showed him the momentary and doubtful semblance of a human figure, standing erect on the stones at the base of the wall.

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