Several days after Claire Fenwick and Lord Dawlish, by different routes, had sailed from England, Elizabeth Boyd sat up in bed and shook her mane of hair from her eyes, yawning. Outside her window the birds were singing, and a shaft of sunlight intruded itself beneath the blind. But what definitely convinced her that it was time to get up was the plaintive note of James, the cat, patrolling the roof of the porch. An animal of regular habits, James always called for breakfast at eight-thirty sharp.
Elizabeth got out of bed, wrapped her small body in a pink kimono, thrust her small feet into a pair of blue slippers, yawned again, and went downstairs. Having taken last night’s milk from the ice-box, she went to the back door, and, having filled James’s saucer, stood on the grass beside it, sniffing the morning air.
Elizabeth Boyd was twenty-one, but standing there with her hair tumbling about her shoulders she might have been taken by a not-too-close observer for a child. It was only when you saw her eyes and the resolute tilt of the chin that you realized that she was a young woman very well able to take care of herself in a difficult world. Her hair was very fair, her eyes brown and very bright, and the contrast was extraordinarily piquant. They were valiant eyes, full of spirit; eyes, also, that saw the humour of things. And her mouth was the mouth of one who laughs easily. Her chin, small like the rest of her, was strong; and in the way she held herself there was a boyish jauntiness. She looked–and was–a capable little person.
She stood besides James like a sentinel, watching over him as he breakfasted. There was a puppy belonging to one of the neighbours who sometimes lumbered over and stole James’s milk, disposing of it in greedy gulps while its rightful proprietor looked on with piteous helplessness. Elizabeth was fond of the puppy, but her sense of justice was keen and she was there to check this brigandage.
It was a perfect day, cloudless and still. There was peace in the air. James, having finished his milk, began to wash himself. A squirrel climbed cautiously down from a linden tree. From the orchard came the murmur of many bees.
Aesthetically Elizabeth was fond of still, cloudless days, but experience had taught her to suspect them. As was the custom in that locality, the water supply depended on a rickety windwheel. It was with a dark foreboding that she returned to the kitchen and turned on one of the taps. For perhaps three seconds a stream of the dimension of a darning-needle emerged, then with a sad gurgle the tap relapsed into a stolid inaction. There is no stolidity so utter as that of a waterless tap.
‘Confound it!’ said Elizabeth.
She passed through the dining-room to the foot of the stairs.
‘Nutty!’
There was no reply.
‘Nutty, my precious lamb!’
Upstairs in the room next to her own a long, spare form began to uncurl itself in bed; a face with a receding chin and a small forehead raised itself reluctantly from the pillow, and Claude Nutcombe Boyd signalized the fact that he was awake by scowling at the morning sun and uttering an aggrieved groan.
Alas, poor Nutty! This was he whom but yesterday Broadway had known as the Speed Kid, on whom head-waiters had smiled and lesser waiters fawned; whose snake-like form had nestled in so many a front-row orchestra stall.
Where were his lobster Newburgs now, his cold quarts that were wont to set the table in a roar?
Nutty Boyd conformed as nearly as a human being may to Euclid’s definition of a straight line. He was length without breadth. From boyhood’s early day he had sprouted like a weed, till now in the middle twenties he gave startled strangers the conviction that it only required a sharp gust of wind to snap him in half. Lying in bed, he looked more like a length of hose-pipe than anything else. While he was unwinding himself the door opened and Elizabeth came into the room.
‘Good morning, Nutty!’
‘What’s the time?’ asked her brother, hollowly.