POLGARA THE SORCERESS BY DAVID EDDINGS

Yes, we can. People do it to themselves all the time. It’s a way of altering

reality. The fish that got away always gets bigger as time goes by.’

‘You know, I’ve noticed that myself. How do I go about doing it?’

Her explanation was fairly obscure, dealing as it did with the

peculiar nature of human memory. When you get down to the

bottom of it, only about half of what we remember really happened.

We tend to modify things to make ourselves look better in our own

eyes and in the eyes of others. Then, if what we did wasn’t really

very admirable, we tend to forget that it ever happened. A normal

human being’s grasp on reality is very tenuous at best. Our

imaginary lives are usually much nicer.

To practice, I tampered – marginally – with the memories of some

of the people in Annath, and it was actually quite easy.

‘Why am I learning how to do this, mother?’ I asked her after a few

weeks.

‘There are a couple of people who are mentioned – sort of around the

edges – in the Mrin. I think we’d better look in on them to make sure that

they’ll really be on our side.’

‘Everybody in the western kingdoms will be on our side, mother.’

‘That’s the whole point, Pol. These people aren’t-from the west. They’re

living over in Car og Nadrak.’

*CHAPTER38

‘I can’t wear these clothes in public, mother!’

‘You look very nice, Pol. The clothes show off your-figure.’

‘I can do that by not wearing anything at all! I’m not going out in

public wearing something that-fits me like a second skin!’

‘There does seem to be something missing, though.’

‘You noticed. How observant of YOU.’

‘Be nice. Oh, I know. We-forgot the daggers.’

, Daggers?’

‘Four of them usually – two at your belt and one tucked in the top of

each of your boots.’

‘Why do I need so many?’

‘It’s a Nadrak custom, Pol. It’s a Nadrak woman’s way of telling men

that it’s all right to look at her, but touching will get them in trouble.’

The twins were filling in for me in Annath until father arrived,

and mother had taken me a ways back into the forest to instruct

me in the peculiarities of Nadrak custom and costume. The clothes

in which she’d garbed me consisted of black leather boots,

tightfitting black leather trousers, and an even tighter-fitting black leather

vest. A simple inventory might sound masculine, but when I put

the clothes on I saw that no one who saw me was likely to be

confused about my gender. I immediately saw why Nadrak women

might need daggers – lots of daggers. ‘Do Nadrak men understand

,what the daggers mean?’ I asked.

‘ Usually – if they’re sober. Every so often they get playful and need to

be reminded to keep their hands to themselves. A few nicks and cuts usually

gets the point across.’

‘Are you trying to be funny?’

‘Would I do that?’

I willed four Ulgo knives into existence. If you want to intimidate

someone, show him an Ulgo knife. The sight of something with a

hooked point and saw-toothed edges tends to make people a bit

queasy.

‘Those are horrible, Pol!’

‘Isn’t that the idea? I want to be sure that nobody gets drunk enough

to start taking chances.’

‘You do realize that they’ll lower your price, don’t you?’

‘Price?’

‘Nadrak women are property, Pol. Everybody knows that.’

‘Oh, yes. I’d-forgotten about that. Is there anything else you’ve neglected

to tell me?’

‘You’ll have to wear a collar – tastefully ornamented with jewels ~ you

were expensive. Don’t worry about the chain. Nadrak women don’t attach

the chain to the collar except on formal occasions. We’ll stop somewhere

on our way to Yar Nadrak so that you can watch a Nadrak woman dance.

You’ll need to know how to do that.’

‘I already know how to dance, mother.’

‘Not the way they do it in Gar og Nadrak. When a Nadrak woman

dances, she challenges every man in the room. That’s the main reason she

needs the daggers.’

‘Why dance that way if it causes that kind of problem?’

‘Probably for the fun of it, Pol. It drives Nadrak men absolutely crazy.,

I realized that Nadrak women took the sport of ‘breaking hearts’

all the way out to the extreme edge. This little trip might just be

more interesting than I’d expected.

Then mother and I merged into the form of a falcon and winged

our way northeasterly to the land of the Nadraks. The two men we

were looking for were in the capital at Yar Nadrak, but mother

suggested that we stop at a nameless hamlet in the endless forests

of Car og Nadrak to witness the performance of a Nadrak dancer

named Ayalia.

The hamlet had that slap-dash, ‘Oh, that’s good enough’ quality

about it that seems to be endemic in Car og Nadrak. The buildings

were made of logs and canvas, and none of them even approached

being square or plumb. They sagged and leaned off in all directions,

but that didn’t seem to bother the fur trappers and gold hunters

who came out of the forest from time to time when they grew

hungry for civilization. Mother and I flew in over the town and

perched on the sill of an unglazed window high up in the back wall

of the local tavern.

‘Ayalla’s owner’s named Kablek, Pol,’ mother told me. ‘He owns., this

tavern, and Ayalla’s something in the nature of a business asset. She dances

here every night, and that’s what brings in all the customers. Kablek’s

getting rich here because of her. He waters down his beer to the point that

it doesn’t even foam any more, and he charges outrageous prices for it.’

‘He sounds like a Tolnedran.’

‘Yes, he does rather – but without the polish.’

The crowd in Kablek’s tavern was rowdy, but there were a number

of burly fellows with stout cudgels roaming around to keep order.

They broke up the knife-fights, but largely ignored the fist-fights

unless the participants started splintering the furniture.

Kablek and his serving-men sold beer at a furious rate until about

mid-evening, and then the patrons began to chant, ‘Ayalla, Ayalia,

Ayalla!’ stamping their feet and pounding on the rough tables with

their fists. Kablek let that go on for several minutes, still pouring

beer for all he was worth, and then he climbed up on the long

counter along the back wall of his establishment and bellowed,

‘Last call, gentlemen! Get your beer now. We don’t sell none while

Ayalla’s dancing!’

That precipitated a rush to the counter. Then, when he saw that

everybody’s tankard was full, Kablek held up his hand for silence.

‘This is the beat!’ he announced, and he began to clap his callused

hands together – three measured beats followed by four staccato

ones. ‘Don’t lose that beat, men. Ayalla don’t like that, and she’s

real quick with her knives.’

Their answering laughter was a little nervous. A performer always

wants to hold her audience – but with a knife?

Then, with a professionally dramatic flair, Ayalla appeared in a

well-lighted doorway. I was forced to admit that she was stunningly

beautiful, with blue-black hair, sparkling black eyes, and a sensual

mouth. Technically, she was a slave, a piece of property, but no

Tolnedran emperor could ever have matched her imperial bearing.

Slave or not, Ayalla literally owned everything – and everyone

she laid her eyes on. Her dress, if you could call something that

flimsy a dress, was of pale, gauzy, Mallorean silk, and it whispered

as she moved. It left her arms bare to the shoulders and stopped

just above her soft leather boots where her jeweled dagger-hilts

peeped coyly at the onlookers.

The audience cheered, but Ayalla looked slightly bored. Her

expression changed, however, when the onlookers began that

compelling beat. Her face became intent and the sheer force of her

overwhelming presence struck her audience and captured them.

her dance began slowly, almost indolently, and then her pace

quickened. Her feet seemed almost to flicker as she whirled about the

room to that compelling beat.

‘Breathe, Pol!’ mother’s voice cracked. ‘I’m starting to see spots in

front of our eyes.’

I explosively let out the breath I’d been unconsciously holding.

Ayalla’s performance had even captured me. ‘Gifted, isn’t she?’ I

suggested mildly.

Ayalla slowed her dance and concluded with an outrageously

sensual strut that challenged every man in the room. The placement

of her hands on her dagger hilts as she seemed to be offering herself

announced quite clearly what she’d do to anyone foolish enough to

accept her offer.

Dear Gods! That looked like fun!

‘Well, Pol?’ mother asked. ‘Do you think you could do ‘ that?’

‘It might take some practice,’ I admitted, ‘but not too much. I know

exactly what she’s doing. She’s very proud of being a woman, isn’t she?’

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