POLGARA THE SORCERESS BY DAVID EDDINGS

dance. She was no match for Ayalla, but she wasn’t really all that

bad. The applause at the conclusion of her dance was thunderous.

Silently, without even looking at him, I nudged my owner’s ego

just a bit. ‘My Polanna can dance better than that,’ he asserted loudly.

‘That’s Callak for you,’ the dancer’s owner snorted. ‘He always

has to be better than everybody else.’

‘Offer him a wager,’ I whispered to Callak.

‘Do you really know how to dance?’ he whispered back just a

little apprehensively.

‘I’ll turn your bones to water,’ I assured him.

‘We’ll try it, I guess.’ He didn’t sound too sure. ‘All right, Rasak,’

he said to his competitor, ‘would you like to lay a wager on it?’ He

reached for his money-pouch. ‘I’ve got ten gold pieces that says that

Polanna’s a better dancer than your Eyana. We’ll let our friends

here decide which is best.’

‘Ten? You sound awfully sure of yourself, Callak.’

‘Sure enough to back it with money. Are we having some second

thoughts, Rasak?’

‘All right. Ten it is.’

The crowd cheered and stamped their feet. Then they began that

rhythmic beat.

I took a deep breath, rose to my feet and removed my outer dress.

mY dancing costume was closely modeled on the one A’yalla had

worn in the tavern back in the forest. I briefly noticed that Rasak’s

expression was just a little sick when he saw me in that flimsy blue

costume.

All right, let’s not make an issue of it. I’d long since outgrown

knobby knees and adolescent gangliness. Moreover, the fact that I’d

been dancing for hours every day for six months or more had put

me in fighting trim – figuratively speaking, of course.

Sorry about the pun. It was inadvertent.

And so I danced for them. I’d been a little nervous about dancing

in public – I think it’s called ‘stage-fright’ by professional performers

but once I began to dance, the nervousness translated itself into

a heightened excitement, and I danced far better than I had during

those long hours of practice. There’s nothing like an audience to

encourage one to do one’s best. I may not have turned their bones

to water, but I’m sure I softened a few.

There was a stunned silence when I concluded my performance

with that outrageous strut. I owned this crowd! The applause and

cheering were absolutely deafening, and Rasak didn’t even bother

to put the question to a vote. He paid up without so much as a

whimper.

I danced frequently after that. Gallak, who always kept his eye

on the main chance, saw a way to use my gifts during his business

dealings. ‘Why don’t we have Polanna dance for us while you mull

over my offer?’began cropping up rather frequently during assorted

negotiations.

It was probably inevitable, given the fact that most of my

performances took place in taverns, that sooner or later I’d have to

demonstrate my willingness to actually use my knives to remind some

spectator that he was supposed to keep his hands to himself. Gallak

had been negotiating with a wall-eyed fellow named Kreblar, and

their haggling had reached an impasse. That’s when Callak drew

his weapon of choice – me. He’d grown very skilled at inserting me

into his business negotiations by then, so his suggestion that I dance

for them and the other patrons of the tavern where they’d been

negotiating was smoothly slipped into the conversation. Kreblar had

drunk a few too many tankards of the fruity Nadrak ale by then,

and he seemed to assume that I was dancing for him alone.

It was at the conclusion of my dance when I was strutting back

to the table where the three of us were seated that he stepped across

the line. His off-center eye was gleaming in the general direction Of

the far wall, and he roughly seized my arm. ‘There’s a good girl!’

he half-bellowed. ‘Come on now, give us a kiss!’ and he began to

paw at me.

My training as a surgeon was very helpful at that point. I brought

my knee up sharply and caught him on the point of the chin with

it even as I drew my knife out of my boot-top. His head snapped

back, but I ignored his exposed throat and neatly sliced him across

the chest instead, reasoning that his ribs would keep my knife edge

from going too deep.

His squeal was piercing, and he gaped down in horror at the

blood gushing through the neat gash I’d just sliced through his shirt.

‘You mustn’t do that, you know,’ I chided him, not even bothering

to raise my voice. I wiped my knife clean on his shirt collar, slipped

it back into its sheath, and then I looked around at the other tavern

patrons. ‘Does anybody here happen to have a needle and thread?’

I asked them. ‘We’ll all be wading in blood if I don’t sew poor

Kreblar here back together.’

A cobbler provided what I needed, and I had Callak and three

or four others stretch Kreblar back over the table and hold him

down. Then, humming softly to myself, I neatly stitched up the gash

that ran from armpit to armpit across Kreblar’s chest, ignoring his

squeals.

I’m not sure exactly why, but I think the sewing chilled the blood

of the onlookers far more than the gashing had. People are funny

sometimes.

In time, my fame spread in Yar Nadrak, and as I’d more or less

anticipated, Gallak finally received an invitation to ‘stop by the

palace, and bring Polanna with you’. My hours of practice and those

public performances had finally paid off.

King Drosta’s palace was in the center of Yar Nadrak, and as

closely as I was able to determine, it was the only stone building in

the entire city. Nadraks, however, aren’t very good at working with

stone, so the palace was as lopsided as were all the other buildings

in town. When Gallak and I entered the throne-room, I saw there

the only Grolim I encountered during my entire stay. I warily sent

an inquiring thought toward his mind and discovered that he didn’t

really have one. He was a Grolim, right enough, but he was only

marginally talented, and as nearly as I could determine, he hadn’t

drawn a sober breath in the past ten years. Torak’s hold on the

Nadraks was tenuous, to say the very least.

King Drosta was rather young to be occupying a throne, and he

appeared to feel that his major responsibility was to enjoy himself.

He was thin to the point of emaciation, and his face was splotched

with angry purple eruptions and deeply indented scars. His hair

was coarse, black, and rather sparse, and his obviously expensive

yellow clothing was none too clean.

Since being presented at court is a formal occasion, I was wearing

my chain, and Callak led me around by it in the socially approved

manner. I wore my dancing costume, which was more or less

concealed beneath a blue outer dress. Gallak led me up to the foot of

the throne, and when we got there, he bowed to his king. ‘My

name’s Gallak, your Majesty,’ he said. ‘You sent for me?’

‘Ah, there you are, Callak,’ Drosta replied in a shrill, almost

hysterical voice. ‘We’ve been waiting for you.’ Then he eyed me up

and down, and his look was insultingly obvious. ‘So this is the

famous Polanna,’ he said. ‘She’s a looker, isn’t she?’ He giggled

nervously. ‘Would you like to sell her, Gallak?’ .

‘Ah – no, your Majesty,’Gallak replied. ‘I don’t think so.’ I thought

that was a wise decision, since Gallak was only a chain’s length

away from my daggers.

‘Maybe you might want to rent her to me then.’ Drosta seemed

to think that was funny because he laughed uproariously.

‘That would be my decision, Drosta,’ I told him coldly, ‘and I

doubt that you’ve got enough money.’

‘Proud of yourself, aren’t you?’ he said.

‘I know how much I’m worth,’ I said, shrugging.

‘They tell me you’re a dancer.’

‘They weren’t wrong.’

‘Are you a good dancer?’

‘The best you’ll ever see.’ Modesty’s not a Nadrak virtue, but that

remark probably even exceeded ordinary Nadrak boastfulness.

‘You’ll have to prove that to me, Polanna.’

‘Whenever you wish, Drosta. Before we start, though, maybe you

should look at these.’ I reached inside my dress, drew out my

daggers, and showed them to him.

‘Are you threatening me?’ he demanded, his eyes bulging out

even further.

‘It wasn’t intended as a threat, Drosta – just a statement of fact.

This is what’ll happen to you if your appreciation gets the better of

you.’

‘I don’t think I’ve ever seen a knife with a hook on its point before.

What’s the purpose of that?’

‘The hooks pull things out – things that most people prefer to

keep inside.’ I looked at the implements admiringly. ‘Aren’t they

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