POLGARA THE SORCERESS BY DAVID EDDINGS

‘Which area are we talking about?’

‘The mind, Pol. Up until now you’ve been learning to use your talennt

in the outside world. Now we’ll go inside.’ She paused as if searching

for a way to explain a very difficult concept. ‘All people are different,

she began, ‘but the various races have distinguishing characteristics. You

can recognize an Alorn when you see one because of his physical

appearance

. You can also recognize his mind when you encounter it.’

‘You’re going to teach me how to hear what other people are

thinking?’

‘We might get to that later. It’s more dificult, so let’s concentrate on

this one right now. When you’re trying to pinpoint a stranger’s race or

tribe, you’re not concentrating on what he’s thinking, but rather the way

he’s thinking.’

‘Why’s this so important, mother?’

‘We have enemies out there in the world, Pol. You’ll need to be able to

recognize them when you come across them. The Master’s taught me how

to imitate the manner of the various races, so I’ll be able to show you how

to tell the difference between a Murgo and a Grolim or between an Arend

and a Marag. There’ll be times when your safety and the safety of those

in your care will hinge on your ability to know just who’s in your general

vicinity.’

‘I suppose that stands to reason. How are we going to go about

this?’

‘just open your mind, Pol. Submerge your own personality and feel the

nature of the various minds I’ll show you.’

‘Well,’ I said a bit dubiously, ‘I’ll try it, but it sounds awfully

complicated.’

,i didn’t say it was going to be easy, Pol. Shall we begin?’

None of it made much sense at first, mother threw the same

thought at me over and over, changing only the way it was

presented. The major break-through came when I realized that the

different thought patterns seemed to have different colors attached

to them. It wasn’t really overt, but rather a faint tinge. In time,

though, those colors grew more pronounced, and my recognition

of Murgo thought or alorn thought or Tolnedran thought became

almost instantaneous.

The mind of the imitation Murgo mother conjured up for me was

very dark, a kind of dull black. The Grolim mind, by contrast, is a

hard, glossy black, and I could see – or feel – the difference almost

immediately.

Sendars are green. Tolnedrans are red. Rivans. of course, are blue.

I increasingly recognized those colors, and by midday I’d become

fairly proficient at it.

‘That’s enough for today, Pol,’ mother told me. ‘Go back to the tower

and spend the afternoon with your books. We don’t want your father to

start getting suspicious.’

And so I returned to the tower, establishing what would become

a pattern for quite a number of years – mornings belonged to mother

and.afternoons belonged to father. I was to receive two educations

at the same time, and that was just a little challenging.

The next morning mother reviewed what I’d learned the previous

day by flashing various thought-patterns at me. ‘Sendar,’ I said in

response to a green-tinged mind. ‘Murgo,’ I identified the dull black

thought. ‘Arend.’ Then, ‘Tolnedran.’ The more I practiced, the

quicker the identifications came to me.

‘Now, then,’ mother said, ‘Let’s move on. There’ll be times when you’ll

need to shut off the minds of your friends – put them to sleep, so to speak,

except that it’s not exactly sleep.’

‘What’s the reason for that?’

‘We aren’t the only ones in the world who know how to recognize

thought patterns, Pol. The Grolims can do it, too, and anybody who knows

the art can follow the thought back to its source. When you’re trying to

hide, you don’t want someone standing right beside you shouting his head

Off.

‘No, probably not. How do I go about putting the loud-mouthed

idiot to sleep?’

‘It’s not really sleep, Pol,’ she corrected. ‘The thought-patterns you’ve

come to recognize are still there in a sleeping person’s mind. You have to

learn how to shut down his brain entirely.’

‘Won’t that kill him? Stop his heart?’

‘No. The part of the brain that makes the heart keep beating is so far

beneath the surface that it doesn’t have any identifying color.’

‘What if I can’t wake you up again?’

‘You’re not going to do it to me. Where’s the closest Alorn?’

‘That’d be the twins,’ I replied.

‘Don’t reason it out, Pol. Reach out and find them with your mind.’

‘I’ll try.’ I sent my mind out in search of that characteristic

turquoise that identified a non-Rivan alorn. It didn’t take me very

long. I knew where they were, of course.

‘Good,’ mother said. ‘Now, imagine a thick, wooly blanket.’

I didn’t ask why; I just did it.

‘Why white?’ mother asked curiously.

‘It’s their favorite color.’

‘Oh. All right, then, lay it over them.’

I did that, and I noticed that my palms were getting sweaty.

Working with your mind is almost as hard as working with your

arms and back.

‘Are they asleep.

‘I think so.’

‘You’d better go look and make sure.’

I used the form of a common barn-swallow. The twins always

throw open their windows when the weather’s nice, and I’d seen

swallows flying in and out of their tower many times. I flew to the

towers and flitted in through the twins’ window.

‘Well?’ mother’s voice called out to me, ‘are they asleep?’

‘It didn’t work, mother. Their eyes are still open.’ I didn’t want to

alert the twins to my presence, so I sent my thought out silently.

‘Are they moving at all?’

‘No. Now that you mention it, they look like a pair of statues.’

‘Try flying right at their faces. See if they flinch.’

I did – and they didn’t. ‘Not a twitch,’ I reported.

‘It worked, then. Try to find their minds with yours.’

I tried that and there was nothing around me but an empty silence.

‘I’m not getting anything, mother.’

‘You picked that up very quickly. Come back to the Tree and then we’ll

release them.’

‘In a moment,’ I said. Then I located my father and turned his mind

off, too.

‘ Why did you do that?’ mother asked.

‘just practicing, mother,’ I replied innocently. I knew that wasn’t

really very nice, but somehow I couldn’t resist.

In the weeks that followed, mother taught me other ways to

tamper with the human mind. There was the highly useful trick of

erasing memories. I’ve used that many times. There’ve been

occasions when I’ve been obliged to do things in out-of-the-ordinary

ways, and when I didn’t want the people present at the time to start

telling wild stories to others. Sometimes it’s much easier to just blot

out the memory of the event than it is to come up with a plausible

explanation.

Closely related to that trick is the trick of implanting false

memories. When you use the two tricks in tandem you can significantly

alter someone’s perception of what really happened during the

course of any given event.

Mother also taught me how to ‘grow’ – to expand myself into

immensity. I haven’t used that one very often, because it does tend

to make one conspicuous.

Then, since every trick usually has an opposite, she taught me

how to ‘shrink’ to reduce myself down to the point of near

invisibility. That one’s been very useful, particularly when I wanted to

listen to people talking without being seen.

These two tricks are closely related to the change of form process,

so they were quite easy to learn.

I also learned how to make people ignore my presence. This is

another way to achieve a kind of invisibility. Since I was still infected

with adolescence at the time, the notion of fading into the

background didn’t appeal to me very much. All adolescents have a

driving urge to be noticed, and virtually everything they do almost

screams, ‘Look at me! See how important I am!’ Invisibility isn’t the

best way to satisfy that urge.

The business of ‘making things’ – creation, if you will – was in

some ways the culmination of that stage of my education, since, if

looked at in a certain way, it encroaches on the province of the

Gods. I started out by making flowers. I think that might be where

all of us start. Creation is closely related to beauty, so that might

explain it, although flowers are easy and making them is a logical

place to begin. I cheated a little at first, of course. I’d wrap twigs

with grass and then convert the object thus produced into a flower.

Transmutation isn’t really creation, though, so I eventually moved

On to making flowers out of nothing but air. There’s a kind of ecstasy

involved in creation, so I probably overdid it, dotting that shallow

swale where the Tree lived with whole carpets of brightly colored

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