Speeches: Literary and Social by Charles Dickens

me. I recognize in your enthusiastic approval of the creatures of

my fancy, your enlightened care for the happiness of the many, your

tender regard for the afflicted, your sympathy for the downcast,

your plans for correcting and improving the bad, and for

encouraging the good; and to advance these great objects shall be,

to the end of my life, my earnest endeavour, to the extent of my

humble ability. Having said thus much with reference to myself, I

shall have the pleasure of saying a few words with reference to

somebody else.

There is in this city a gentleman who, at the reception of one of

my books – I well remember it was the Old Curiosity Shop – wrote to

me in England a letter so generous, so affectionate, and so manly,

that if I had written the book under every circumstance of

disappointment, of discouragement, and difficulty, instead of the

reverse, I should have found in the receipt of that letter my best

and most happy reward. I answered him, and he answered me, and so

we kept shaking hands autographically, as if no ocean rolled

between us. I came here to this city eager to see him, and [LAYING

HIS HAND IT UPON IRVING’S SHOULDER] here he sits! I need not tell

you how happy and delighted I am to see him here to-night in this

capacity.

Washington Irving! Why, gentlemen, I don’t go upstairs to bed two

Page 14

Dickens, Charles – Speeches, Literary & Social

nights out of the seven – as a very creditable witness near at hand

can testify – I say I do not go to bed two nights out of the seven

without taking Washington Irving under my arm; and, when I don’t

take him, I take his own brother, Oliver Goldsmith. Washington

Irving! Why, of whom but him was I thinking the other day when I

came up by the Hog’s Back, the Frying Pan, Hell Gate, and all these

places? Why, when, not long ago, I visited Shakespeare’s

birthplace, and went beneath the roof where he first saw light,

whose name but HIS was pointed out to me upon the wall? Washington

Irving – Diedrich Knickerbocker – Geoffrey Crayon – why, where can

you go that they have not been there before? Is there an English

farm – is there an English stream, an English city, or an English

country-seat, where they have not been? Is there no Bracebridge

Hall in existence? Has it no ancient shades or quiet streets?

In bygone times, when Irving left that Hall, he left sitting in an

old oak chair, in a small parlour of the Boar’s Head, a little man

with a red nose, and an oilskin hat. When I came away he was

sitting there still! – not a man LIKE him, but the same man – with

the nose of immortal redness and the hat of an undying glaze!

Crayon, while there, was on terms of intimacy with a certain

radical fellow, who used to go about, with a hatful of newspapers,

wofully out at elbows, and with a coat of great antiquity. Why,

gentlemen, I know that man – Tibbles the elder, and he has not

changed a hair; and, when I came away, he charged me to give his

best respects to Washington Irving!

Leaving the town and the rustic life of England – forgetting this

man, if we can – putting out of mind the country church-yard and

the broken heart – let us cross the water again, and ask who has

associated himself most closely with the Italian peasantry and the

bandits of the Pyrenees? When the traveller enters his little

chamber beyond the Alps – listening to the dim echoes of the long

passages and spacious corridors – damp, and gloomy, and cold – as

he hears the tempest beating with fury against his window, and

gazes at the curtains, dark, and heavy, and covered with mould –

and when all the ghost-stories that ever were told come up before

him – amid all his thick-coming fancies, whom does he think of?

Washington Irving.

Go farther still: go to the Moorish Mountains, sparkling full in

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