Dickens, Charles – The Uncommercial Traveller

does, and he never will. It is a favourite fiction with him,

however (as if he were the most industrious character on earth),

that YOU never work; and as he goes past your garden and sees you

looking at your flowers, you will overhear him growl with a strong

sense of contrast, ‘YOU are a lucky hidle devil, YOU are!’

The slinking tramp is of the same hopeless order, and has the same

injured conviction on him that you were born to whatever you

possess, and never did anything to get it: but he is of a less

audacious disposition. He will stop before your gate, and say to

his female companion with an air of constitutional humility and

propitiation – to edify any one who may be within hearing behind a

blind or a bush – ‘This is a sweet spot, ain’t it? A lovelly spot!

And I wonder if they’d give two poor footsore travellers like me

and you, a drop of fresh water out of such a pretty gen-teel crib?

We’d take it wery koind on ’em, wouldn’t us? Wery koind, upon my

word, us would?’ He has a quick sense of a dog in the vicinity,

and will extend his modestly-injured propitiation to the dog

chained up in your yard; remarking, as he slinks at the yard gate,

‘Ah! You are a foine breed o’ dog, too, and YOU ain’t kep for

nothink! I’d take it wery koind o’ your master if he’d elp a

traveller and his woife as envies no gentlefolk their good fortun,

wi’ a bit o’ your broken wittles. He’d never know the want of it,

nor more would you. Don’t bark like that, at poor persons as never

done you no arm; the poor is down-trodden and broke enough without

that; O DON’T!’ He generally heaves a prodigious sigh in moving

away, and always looks up the lane and down the lane, and up the

road and down the road, before going on.

Both of these orders of tramp are of a very robust habit; let the

hard-working labourer at whose cottage-door they prowl and beg,

have the ague never so badly, these tramps are sure to be in good

health.

There is another kind of tramp, whom you encounter this bright

summer day – say, on a road with the sea-breeze making its dust

lively, and sails of ships in the blue distance beyond the slope of

Down. As you walk enjoyingly on, you descry in the perspective at

the bottom of a steep hill up which your way lies, a figure that

appears to be sitting airily on a gate, whistling in a cheerful and

disengaged manner. As you approach nearer to it, you observe the

figure to slide down from the gate, to desist from whistling, to

uncock its hat, to become tender of foot, to depress its head and

elevate its shoulders, and to present all the characteristics of

profound despondency. Arriving at the bottom of the hill and

coming close to the figure, you observe it to be the figure of a

shabby young man. He is moving painfully forward, in the direction

in which you are going, and his mind is so preoccupied with his

misfortunes that he is not aware of your approach until you are

close upon him at the hill-foot. When he is aware of you, you

discover him to be a remarkably well-behaved young man, and a

remarkably well-spoken young man. You know him to be well-behaved,

by his respectful manner of touching his hat: you know him to be

well-spoken, by his smooth manner of expressing himself. He says

in a flowing confidential voice, and without punctuation, ‘I ask

your pardon sir but if you would excuse the liberty of being so

addressed upon the public Iway by one who is almost reduced to rags

though it as not always been so and by no fault of his own but

through ill elth in his family and many unmerited sufferings it

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Dickens, Charles – The Uncommercial Traveller

would be a great obligation sir to know the time.’ You give the

well-spoken young man the time. The well-spoken young man, keeping

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