Monsieur; for she has opened, while speaking, a trap-door in the
wall. Monsieur looks in. Downward to the bottom, upward to the
top, of a steep, dark, lofty tower: very dismal, very dark, very
cold. The Executioner of the Inquisition, says Goblin, edging in
her head to look down also, flung those who were past all further
torturing, down here. ‘But look! does Monsieur see the black
stains on the wall?’ A glance, over his shoulder, at Goblin’s keen
eye, shows Monsieur – and would without the aid of the directing
key – where they are. ‘What are they?’ ‘Blood!’
In October, 1791, when the Revolution was at its height here, sixty
persons: men and women (‘and priests,’ says Goblin, ‘priests’):
were murdered, and hurled, the dying and the dead, into this
dreadful pit, where a quantity of quick-lime was tumbled down upon
their bodies. Those ghastly tokens of the massacre were soon no
more; but while one stone of the strong building in which the deed
was done, remains upon another, there they will lie in the memories
of men, as plain to see as the splashing of their blood upon the
wall is now.
Was it a portion of the great scheme of Retribution, that the cruel
deed should be committed in this place! That a part of the
atrocities and monstrous institutions, which had been, for scores
of years, at work, to change men’s nature, should in its last
service, tempt them with the ready means of gratifying their
furious and beastly rage! Should enable them to show themselves,
in the height of their frenzy, no worse than a great, solemn, legal
establishment, in the height of its power! No worse! Much better.
They used the Tower of the Forgotten, in the name of Liberty –
their liberty; an earth-born creature, nursed in the black mud of
the Bastile moats and dungeons, and necessarily betraying many
evidences of its unwholesome bringing-up – but the Inquisition used
it in the name of Heaven.
Goblin’s finger is lifted; and she steals out again, into the
Chapel of the Holy Office. She stops at a certain part of the
flooring. Her great effect is at hand. She waits for the rest.
She darts at the brave Courier, who is explaining something; hits
him a sounding rap on the hat with the largest key; and bids him be
silent. She assembles us all, round a little trap-door in the
floor, as round a grave.
‘Voila!’ she darts down at the ring, and flings the door open with
a crash, in her goblin energy, though it is no light weight.
‘Voila les oubliettes! Voila les oubliettes! Subterranean!
Frightful! Black! Terrible! Deadly! Les oubliettes de
l’Inquisition!’
My blood ran cold, as I looked from Goblin, down into the vaults,
where these forgotten creatures, with recollections of the world
outside: of wives, friends, children, brothers: starved to death,
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Dickens, Charles – Pictures From Italy
and made the stones ring with their unavailing groans. But, the
thrill I felt on seeing the accursed wall below, decayed and broken
through, and the sun shining in through its gaping wounds, was like
a sense of victory and triumph. I felt exalted with the proud
delight of living in these degenerate times, to see it. As if I
were the hero of some high achievement! The light in the doleful
vaults was typical of the light that has streamed in, on all
persecution in God’s name, but which is not yet at its noon! It
cannot look more lovely to a blind man newly restored to sight,
than to a traveller who sees it, calmly and majestically, treading
down the darkness of that Infernal Well.
CHAPTER III – AVIGNON TO GENOA
GOBLIN, having shown LES OUBLIETTES, felt that her great COUP was
struck. She let the door fall with a crash, and stood upon it with
her arms a-kimbo, sniffing prodigiously.
When we left the place, I accompanied her into her house, under the
outer gateway of the fortress, to buy a little history of the
building. Her cabaret, a dark, low room, lighted by small windows,
sunk in the thick wall – in the softened light, and with its forgelike