Pictures from Italy

wandering about, with the double curse of laziness and poverty,

uncouthly wrinkling their misfitting regimentals; the dirtiest of

children play with their impromptu toys (pigs and mud) in the

feeblest of gutters; and the gauntest of dogs trot in and out of

the dullest of archways, in perpetual search of something to eat,

which they never seem to find. A mysterious and solemn Palace,

guarded by two colossal statues, twin Genii of the place, stands

gravely in the midst of the idle town; and the king with the marble

legs, who flourished in the time of the thousand and one Nights,

might live contentedly inside of it, and never have the energy, in

his upper half of flesh and blood, to want to come out.

What a strange, half-sorrowful and half-delicious doze it is, to

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Dickens, Charles – Pictures From Italy

ramble through these places gone to sleep and basking in the sun!

Each, in its turn, appears to be, of all the mouldy, dreary, Godforgotten

towns in the wide world, the chief. Sitting on this

hillock where a bastion used to be, and where a noisy fortress was,

in the time of the old Roman station here, I became aware that I

have never known till now, what it is to be lazy. A dormouse must

surely be in very much the same condition before he retires under

the wool in his cage; or a tortoise before he buries himself.

I feel that I am getting rusty. That any attempt to think, would

be accompanied with a creaking noise. That there is nothing,

anywhere, to be done, or needing to be done. That there is no more

human progress, motion, effort, or advancement, of any kind beyond

this. That the whole scheme stopped here centuries ago, and laid

down to rest until the Day of Judgment.

Never while the brave Courier lives! Behold him jingling out of

Piacenza, and staggering this way, in the tallest posting-chaise

ever seen, so that he looks out of the front window as if he were

peeping over a garden wall; while the postilion, concentrated

essence of all the shabbiness of Italy, pauses for a moment in his

animated conversation, to touch his hat to a blunt-nosed little

Virgin, hardly less shabby than himself, enshrined in a plaster

Punch’s show outside the town.

In Genoa, and thereabouts, they train the vines on trellis-work,

supported on square clumsy pillars, which, in themselves, are

anything but picturesque. But, here, they twine them around trees,

and let them trail among the hedges; and the vineyards are full of

trees, regularly planted for this purpose, each with its own vine

twining and clustering about it. Their leaves are now of the

brightest gold and deepest red; and never was anything so

enchantingly graceful and full of beauty. Through miles of these

delightful forms and colours, the road winds its way. The wild

festoons, the elegant wreaths, and crowns, and garlands of all

shapes; the fairy nets flung over great trees, and making them

prisoners in sport; the tumbled heaps and mounds of exquisite

shapes upon the ground; how rich and beautiful they are! And every

now and then, a long, long line of trees, will be all bound and

garlanded together: as if they had taken hold of one another, and

were coming dancing down the field!

Parma has cheerful, stirring streets, for an Italian town; and

consequently is not so characteristic as many places of less note.

Always excepting the retired Piazza, where the Cathedral,

Baptistery, and Campanile – ancient buildings, of a sombre brown,

embellished with innumerable grotesque monsters and dreamy-looking

creatures carved in marble and red stone – are clustered in a noble

and magnificent repose. Their silent presence was only invaded,

when I saw them, by the twittering of the many birds that were

flying in and out of the crevices in the stones and little nooks in

the architecture, where they had made their nests. They were busy,

rising from the cold shade of Temples made with hands, into the

sunny air of Heaven. Not so the worshippers within, who were

listening to the same drowsy chaunt, or kneeling before the same

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