Pictures from Italy

and drives his team, something like the Courier of Saint

Petersburgh in the circle at Astley’s or Franconi’s: only he sits

his own horse instead of standing on him. The immense jack-boots

worn by these postilions, are sometimes a century or two old; and

are so ludicrously disproportionate to the wearer’s foot, that the

spur, which is put where his own heel comes, is generally halfway

up the leg of the boots. The man often comes out of the stableyard,

with his whip in his hand and his shoes on, and brings out,

in both hands, one boot at a time, which he plants on the ground by

the side of his horse, with great gravity, until everything is

ready. When it is – and oh Heaven! the noise they make about it! –

he gets into the boots, shoes and all, or is hoisted into them by a

couple of friends; adjusts the rope harness, embossed by the

labours of innumerable pigeons in the stables; makes all the horses

kick and plunge; cracks his whip like a madman; shouts ‘En route –

Hi!’ and away we go. He is sure to have a contest with his horse

before we have gone very far; and then he calls him a Thief, and a

Brigand, and a Pig, and what not; and beats him about the head as

if he were made of wood.

There is little more than one variety in the appearance of the

country, for the first two days. From a dreary plain, to an

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Dickens, Charles – Pictures From Italy

interminable avenue, and from an interminable avenue to a dreary

plain again. Plenty of vines there are in the open fields, but of

a short low kind, and not trained in festoons, but about straight

sticks. Beggars innumerable there are, everywhere; but an

extraordinarily scanty population, and fewer children than I ever

encountered. I don’t believe we saw a hundred children between

Paris and Chalons. Queer old towns, draw-bridged and walled: with

odd little towers at the angles, like grotesque faces, as if the

wall had put a mask on, and were staring down into the moat; other

strange little towers, in gardens and fields, and down lanes, and

in farm-yards: all alone, and always round, with a peaked roof,

and never used for any purpose at all; ruinous buildings of all

sorts; sometimes an hotel de ville, sometimes a guard-house,

sometimes a dwelling-house, sometimes a chateau with a rank garden,

prolific in dandelion, and watched over by extinguisher-topped

turrets, and blink-eyed little casements; are the standard objects,

repeated over and over again. Sometimes we pass a village inn,

with a crumbling wall belonging to it, and a perfect town of outhouses;

and painted over the gateway, ‘Stabling for Sixty Horses;’

as indeed there might be stabling for sixty score, were there any

horses to be stabled there, or anybody resting there, or anything

stirring about the place but a dangling bush, indicative of the

wine inside: which flutters idly in the wind, in lazy keeping with

everything else, and certainly is never in a green old age, though

always so old as to be dropping to pieces. And all day long,

strange little narrow waggons, in strings of six or eight, bringing

cheese from Switzerland, and frequently in charge, the whole line,

of one man, or even boy – and he very often asleep in the foremost

cart – come jingling past: the horses drowsily ringing the bells

upon their harness, and looking as if they thought (no doubt they

do) their great blue woolly furniture, of immense weight and

thickness, with a pair of grotesque horns growing out of the

collar, very much too warm for the Midsummer weather.

Then, there is the Diligence, twice or thrice a-day; with the dusty

outsides in blue frocks, like butchers; and the insides in white

nightcaps; and its cabriolet head on the roof, nodding and shaking,

like an idiot’s head; and its Young-France passengers staring out

of window, with beards down to their waists, and blue spectacles

awfully shading their warlike eyes, and very big sticks clenched in

their National grasp. Also the Malle Poste, with only a couple of

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