Pictures from Italy

I think the most popular and most crowded sight (excepting those of

Easter Sunday and Monday, which are open to all classes of people)

was the Pope washing the feet of Thirteen men, representing the

twelve apostles, and Judas Iscariot. The place in which this pious

office is performed, is one of the chapels of St. Peter’s, which is

gaily decorated for the occasion; the thirteen sitting, ‘all of a

row,’ on a very high bench, and looking particularly uncomfortable,

with the eyes of Heaven knows how many English, French, Americans,

Swiss, Germans, Russians, Swedes, Norwegians, and other foreigners,

nailed to their faces all the time. They are robed in white; and

on their heads they wear a stiff white cap, like a large English

porter-pot, without a handle. Each carries in his hand, a nosegay,

of the size of a fine cauliflower; and two of them, on this

occasion, wore spectacles; which, remembering the characters they

sustained, I thought a droll appendage to the costume. There was a

great eye to character. St. John was represented by a good-looking

young man. St. Peter, by a grave-looking old gentleman, with a

flowing brown beard; and Judas Iscariot by such an enormous

hypocrite (I could not make out, though, whether the expression of

his face was real or assumed) that if he had acted the part to the

death and had gone away and hanged himself, he would have left

nothing to be desired.

As the two large boxes, appropriated to ladies at this sight, were

full to the throat, and getting near was hopeless, we posted off,

along with a great crowd, to be in time at the Table, where the

Pope, in person, waits on these Thirteen; and after a prodigious

struggle at the Vatican staircase, and several personal conflicts

with the Swiss guard, the whole crowd swept into the room. It was

a long gallery hung with drapery of white and red, with another

great box for ladies (who are obliged to dress in black at these

ceremonies, and to wear black veils), a royal box for the King of

Naples and his party; and the table itself, which, set out like a

ball supper, and ornamented with golden figures of the real

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Dickens, Charles – Pictures From Italy

apostles, was arranged on an elevated platform on one side of the

gallery. The counterfeit apostles’ knives and forks were laid out

on that side of the table which was nearest to the wall, so that

they might be stared at again, without let or hindrance.

The body of the room was full of male strangers; the crowd immense;

the heat very great; and the pressure sometimes frightful. It was

at its height, when the stream came pouring in, from the feetwashing;

and then there were such shrieks and outcries, that a

party of Piedmontese dragoons went to the rescue of the Swiss

guard, and helped them to calm the tumult.

The ladies were particularly ferocious, in their struggles for

places. One lady of my acquaintance was seized round the waist, in

the ladies’ box, by a strong matron, and hoisted out of her place;

and there was another lady (in a back row in the same box) who

improved her position by sticking a large pin into the ladies

before her.

The gentlemen about me were remarkably anxious to see what was on

the table; and one Englishman seemed to have embarked the whole

energy of his nature in the determination to discover whether there

was any mustard. ‘By Jupiter there’s vinegar!’ I heard him say to

his friend, after he had stood on tiptoe an immense time, and had

been crushed and beaten on all sides. ‘And there’s oil! I saw

them distinctly, in cruets! Can any gentleman, in front there, see

mustard on the table? Sir, will you oblige me! DO you see a

Mustard-Pot?’

The apostles and Judas appearing on the platform, after much

expectation, were marshalled, in line, in front of the table, with

Peter at the top; and a good long stare was taken at them by the

company, while twelve of them took a long smell at their nosegays,

and Judas – moving his lips very obtrusively – engaged in inward

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