Pictures from Italy

is the genius of the scene. From every indication of the ruin it

has worked, we look, again, with an absorbing interest to where its

smoke is rising up into the sky. It is beyond us, as we thread the

ruined streets: above us, as we stand upon the ruined walls, we

follow it through every vista of broken columns, as we wander

through the empty court-yards of the houses; and through the

garlandings and interlacings of every wanton vine. Turning away to

Paestum yonder, to see the awful structures built, the least aged

of them, hundreds of years before the birth of Christ, and standing

yet, erect in lonely majesty, upon the wild, malaria-blighted plain

– we watch Vesuvius as it disappears from the prospect, and watch

for it again, on our return, with the same thrill of interest: as

the doom and destiny of all this beautiful country, biding its

terrible time.

It is very warm in the sun, on this early spring-day, when we

return from Paestum, but very cold in the shade: insomuch, that

although we may lunch, pleasantly, at noon, in the open air, by the

gate of Pompeii, the neighbouring rivulet supplies thick ice for

our wine. But, the sun is shining brightly; there is not a cloud

or speck of vapour in the whole blue sky, looking down upon the bay

of Naples; and the moon will be at the full to-night. No matter

that the snow and ice lie thick upon the summit of Vesuvius, or

that we have been on foot all day at Pompeii, or that croakers

maintain that strangers should not be on the mountain by night, in

such an unusual season. Let us take advantage of the fine weather;

make the best of our way to Resina, the little village at the foot

of the mountain; prepare ourselves, as well as we can, on so short

a notice, at the guide’s house; ascend at once, and have sunset

half-way up, moon-light at the top, and midnight to come down in!

At four o’clock in the afternoon, there is a terrible uproar in the

little stable-yard of Signior Salvatore, the recognised head-guide,

with the gold band round his cap; and thirty under-guides who are

all scuffling and screaming at once, are preparing half-a-dozen

saddled ponies, three litters, and some stout staves, for the

journey. Every one of the thirty, quarrels with the other twentynine,

and frightens the six ponies; and as much of the village as

can possibly squeeze itself into the little stable-yard,

participates in the tumult, and gets trodden on by the cattle.

After much violent skirmishing, and more noise than would suffice

for the storming of Naples, the procession starts. The head-guide,

who is liberally paid for all the attendants, rides a little in

advance of the party; the other thirty guides proceed on foot.

Eight go forward with the litters that are to be used by-and-by;

and the remaining two-and-twenty beg.

We ascend, gradually, by stony lanes like rough broad flights of

stairs, for some time. At length, we leave these, and the

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Dickens, Charles – Pictures From Italy

vineyards on either side of them, and emerge upon a bleak bare

region where the lava lies confusedly, in enormous rusty masses; as

if the earth had been ploughed up by burning thunderbolts. And

now, we halt to see the sun set. The change that falls upon the

dreary region, and on the whole mountain, as its red light fades,

and the night comes on – and the unutterable solemnity and

dreariness that reign around, who that has witnessed it, can ever

forget!

It is dark, when after winding, for some time, over the broken

ground, we arrive at the foot of the cone: which is extremely

steep, and seems to rise, almost perpendicularly, from the spot

where we dismount. The only light is reflected from the snow,

deep, hard, and white, with which the cone is covered. It is now

intensely cold, and the air is piercing. The thirty-one have

brought no torches, knowing that the moon will rise before we reach

the top. Two of the litters are devoted to the two ladies; the

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