The Trial by Franz Kafka

could manage it without K.’s support, just as K.’s presence would certainly not contribute

to its effectiveness. So he began slowly to move off, feeling his way along the pew on

tiptoe until he was in the broad center aisle, where he advanced undisturbed except for the

ringing noise that his lightest footstep made on the stone flags and the echoes that sounded

from the vaulted roof faintly but continuously, in manifold and regular progression. K. felt

a little forlorn as he advanced, a solitary figure between the rows of empty seats, perhaps

with the priest’s eyes following him; and the size of the Cathedral struck him as bordering

on the limit of what human beings could bear. When he came to the seat where he had left

the album he simply snatched the book up without stopping and took it with him. He had

almost passed the last of the pews and was emerging into the open space between himself

and the doorway when he heard the priest lifting up his voice. A resonant, well-trained

voice. How it rolled through the expectant Cathedral! But it was no congregation the priest

was addressing, the words were unambiguous and inescapable, he was calling out: “Joseph

K.!”

K. paused and stared at the ground before him. For the moment he was still free, he

could continue on his way and vanish through one of the small, dark, wooden doors that

faced him at no great distance. It would simply indicate that he had not understood the call,

or that he had understood it and did not care. But if he were to turn round he would be

caught, for that would amount to an admission that he had understood it very well, that he

was really the person addressed, and that he was ready to obey. Had the priest called his

name a second time K. would certainly have gone on, but as everything remained silent,

though he stood waiting a long time, he could not help turning his head a little just to see

what the priest was doing. The priest was standing calmly in the pulpit as before, yet it was

obvious that he had observed K.’s turn of the head. It would have been like a childish game

of hide-and-seek if K. had not turned right round to face him. He did so, and the priest

beckoned him to come nearer. Since there was now no need for evasion, K. hurried back —

he was both curious and eager to shorten the interview — with long flying strides toward

the pulpit. At the first rows of seats he halted, but the priest seemed to think the distance

still too great; he stretched out an arm and pointed with sharply bent fore-finger to a spot

immediately before the pulpit. K. followed this direction too; when he stood on the spot

indicated he had to bend his head far back to see the priest at all. “You are Joseph K.,” said the priest, lifting one hand from the balustrade in a vague gesture. “Yes,” said K., thinking

how frankly he used to give his name and what a burden it had recently become to him;

nowadays people he had never seen before seemed to know his name. How pleasant it was

to have to introduce oneself before being recognized! “You are an accused man,” said the

priest in a very low voice. “Yes,” said K., “so I have been informed.” “Then you are the

man I seek,” said the priest. “I am the prison chaplain.” “Indeed,” said K. “I had you

summoned here,” said the priest, “to have a talk with you.” “I didn’t know that,” said K. “I

came here to show an Italian round the Cathedral.” “That is beside the point,” said the

priest. “What is that in your hand? Is it a prayer book?” “No,” replied K., “it is an album of

sights worth seeing in the town.” “Lay it down,” said the priest. K. threw it away so

violently that it flew open and slid some way along the floor with disheveled leaves. “Do

you know that your case is going badly?” asked the priest. “I have that idea myself,” said

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