The Trial by Franz Kafka

window. It was difficult to open, he had to push the latch with both hands. Then there

came into the room through the great window a blend of fog and smoke, filling it with a

faint smell of burning soot. Some snowflakes fluttered in too. “An awful autumn,” came

the voice of the manufacturer from behind K.; returning from his colloquy with the

Assistant Manager, he had entered the room unobserved. K. nodded and shot an

apprehensive glance at the man’s attaché case, from which doubtless he would now extract

all his papers in order to inform K. how the negotiations had gone. But the manufacturer,

catching K.’s eye, merely tapped his attaché case without opening it and said: “You would

like to know how it has turned out? The final settlement is as good as in my pocket. A

charming fellow, your Assistant Manager, but dangerous to reckon with.” He laughed and

shook K. by the hand, trying to make him laugh too. But now K.’s suspicions seized on the fact that the manufacturer had not offered to show him the papers, and he found nothing to

laugh at. “Herr K.,” said the manufacturer, “you’re under the weather today. You look so

depressed.” “Yes,” said K., putting his hand to his brow, “a headache, family troubles.”

“Ah, yes,” said the manufacturer, who was a hasty man and could never listen quietly to

anybody, “we all have our troubles.” K. had involuntarily taken a step toward the door, as

if to show the manufacturer out, but the latter said: “Herr K., there’s another little matter I

should mention to you. I’m afraid this isn’t exactly the moment to bother you with it, but

the last two times I’ve been here I forgot to mention it. And if I put off mentioning it any

longer it will probably lose its point altogether. And that would be a pity, since my

information may have some real value for you.” Before K. had time to make any reply the

man stepped up close to him, tapped him with one finger on the chest, and said in a low

voice: “You’re involved in a case, aren’t you?” K. started back, crying out: “The Assistant

Manager told you that.” “Not at all,” said the manufacturer. “How should the Assistant

Manager know anything about it?” “How do you know about it?” asked K., pulling himself

together. “I pick up scraps of information about the Court now and then,” said the

manufacturer, “and that accounts for what I have to mention.” “So many people seem to be

connected with the Court!” said K. with a bowed head, as he led the manufacturer back to

the desk. They sat down as before and the manufacturer began: “Unfortunately it isn’t

much that I can tell you. But in these affairs one shouldn’t leave the smallest stone

unturned. Besides, I feel a strong desire to help you, no matter how modest the help. We

have always been good business friends till now, haven’t we? Well, then.” K. wanted to

excuse himself for his behavior that morning, but the manufacturer would not hear of it,

pushed his attaché case firmly under his arm to show that he was in a hurry to go, and

continued: “I heard of your case from a man called Titorelli. He’s a painter, Titorelli is only

his professional name, I don’t know at all what his real name is. For years he has been in

the habit of calling at my office from time to time, bringing little paintings for which I give

him a sort of alms — he’s almost a beggar. And they’re not bad pictures, moors and heaths

and so on. These deals — we have got into the way of them — pass off quite smoothly. But

there was a time when he turned up too frequently for my taste, I told him so, we fell into

conversation, I was curious to know how he could keep himself going entirely by his

painting, and I discovered to my astonishment that he really earned his living as a portrait

painter. He worked for the Court, he said. For what Court, I asked. And then he told me

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