The Trial by Franz Kafka

appear that it was K. who was exaggerating. She would find that she was deceived, K.

wished to exaggerate nothing, he knew that Fräulein Bürstner was an ordinary little typist

who could not resist him for long. In coming to this conclusion he deliberately left out of

account what Frau Grubach had told him about Fräulein Bürstner. He was thinking all this as he quitted the room with a curt word of leave-taking. He made straight for his own

room, but a slight titter from Fräulein Montag, coming from the dining room behind him,

put it into his head that perhaps he could provide a surprise for the pair of them, the

Captain as well as Fräulein Montag. He glanced round and listened to make sure that no

interruption was likely from any of the adjacent rooms, all was still, nothing was to be

heard but a murmur of voices in the dining room and the voice of Frau Grubach coming

from the passage leading to the kitchen. The opportunity seemed excellent, and K. went

over to Fräulein Bürstner door and knocked softly. When nothing happened he knocked

again, but again no answer came. Was she sleeping? Or was she really unwell? Or was she

pretending she wasn’t there, knowing that it could only be K. who was knocking so softly?

K. assumed that she was pretending and knocked more loudly, and at last, as his knocking

had no result, cautiously opened the door, not without a feeling that he was doing

something wrong and even more useless than wrong. There was nobody in the room.

Moreover it had scarcely any resemblance now to the room which K. had seen. Against the

wall two beds stood next to each other, three chairs near the door were heaped with dresses

and underclothes, a wardrobe was standing open. Fräulein Bürstner had apparently gone

out while Fräulein Montag was saying her piece in the dining room. K. was not very much

taken aback, he had hardly expected at this stage to get hold of Fräulein Bürstner so easily,

he had made this attempt, indeed, mainly to annoy Fräulein Montag. Yet the shock was all

the greater when, as he was shutting the door again, he saw Fräulein Montag and the

Captain standing talking together in the open door of the dining room. They had perhaps

been standing there all the time, they scrupulously avoided all appearance of having been

observing him, they talked in low voices, following K.’s movements only with the

abstracted gaze one has for people passing when one is deep in conversation. All the same,

their glances weighed heavily upon K., and he made what haste he could to his room,

keeping close against the wall. Chapter 5

The Whipper

A FEW evenings later K. was passing along the Bank corridor from his office to the main

staircase — he was almost the last to leave, only two clerks in the dispatch department were

still at work by the dim light of a glow lamp — when he heard convulsive sighs behind a

door, which he had always taken to be the door of a lumber-room, although he had never

opened it. He stopped in astonishment and listened to make sure that he had not been

mistaken — all was still, yet in a little while the sighing began again. At first he thought of

fetching one of the dispatch clerks, he might need a witness, but then he was seized by

such uncontrollable curiosity that he literally tore the door open. It was, as he had correctly

assumed, a lumber-room. Bundles of useless old papers and empty earthenware ink bottles

lay in a tumbled heap behind the threshold. But in the room itself stood three men,

stooping because of the low ceiling, by the light of a candle stuck on a shelf. “What are

you doing here?” asked K., in great haste and agitation, but not loud. One of the men, who

was clearly in authority over the other two and took the eye first, was sheathed in a sort of

dark leather garment which left his throat and a good deal of his chest and the whole of his

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