FOR WHOM THE BELL TOLLS by Ernest Hemingway

Karkov was not cynical about those times either when he talked. Those were the days they all shared when everything looked lost and each man retained now, better than any citation or decoration, the knowledge of just how he would act when everything looked lost. The government had abandoned the city, taking all the motor cars from the ministry of war in their flight and old Miaja had to ride down to inspect his defensive positions on a bicycle. Robert Jordan did not believe that one. He could not see Miaja on a bicycle even in his most patriotic imagination, but Karkov said it was true. But then he had written it for Russian papers so he probably wanted to believe it was true after writing it.

But there was another story that Karkov had not written. He had three wounded Russians in the Palace Hotel for whom he was responsible. They were two tank drivers and a flyer who were too bad to be moved, and since, at that time, it was of the greatest importance that there should be no evidence of any Russian intervention to justify an open intervention by the fascists, it was Karkov’s responsibility that these wounded should not fall into the hands of the fascists in case the city should be abandoned.

In the event the city should be abandoned, Karkov was to poison them to destroy all evidence of their identity before leaving the Palace Hotel. No one could prove from the bodies of three wounded men, one with three bullet wounds in his abdomen, one with his jaw shot away and his vocal cords exposed, one with his femur smashed to bits by a bullet and his hands and face so badly burned that his face was just an eyelashless, eyebrowless, hairless blister that they were Russians. No one could tell from the bodies of these wounded men he would leave in beds at the Palace, that they were Russians. Nothing proved a naked dead man was a Russian. Your nationality and your politics did not show when you were dead.

Robert Jordan had asked Karkov how he felt about the necessity of performing this act and Karkov had said that he had not looked forward to it. “How were you going to do it?” Robert Jordan had asked him and had added, “You know it isn’t so simple just suddenly to poison people.” And Karkov had said, “Oh, yes, it is when you carry it always for your own use.” Then he had opened his cigarette case and showed Robert Jordan what he carried in one side of it.

“But the first thing anybody would do if they took you prisoner would be to take your cigarette case,” Robert Jordan had objected. “They would have your hands up.”

“But I have a little more here,” Karkov had grinned and showed the lapel of his jacket. “You simply put the lapel in your mouth like this and bite it and swallow.”

“That’s much better,” Robert Jordan had said. “Tell me, does it smell like bitter almonds the way it always does in detective stories?”

“I don’t know,” Karkov said delightedly. “I have never smelled it. Should we break a little tube and smell it?”

“Better keep it.”

“Yes,” Karkov said and put the cigarette case away. “I am not a defeatist, you understand, but it is always possible that such serious times might come again and you cannot get this anywhere. Have you seen the communiqué from the Córdoba front? It is very beautiful. It is now my favorite among all the communiqués.”

“What did it say?” Robert Jordan had come to Madrid from the Córdoban Front and he had the sudden stiffening that comes when some one jokes about a thing which you yourself may joke about but which they may not. “Tell me?”

“Nuestra gloriosa tropa siga avanzando sin perder ni una sola palma de terreno,” Karkov said in his strange Spanish.

“It didn’t really say that,” Robert Jordan doubted.

“Our glorious troops continue to advance without losing a foot of ground,” Karkov repeated in English. “It is in the communiqué. I will find it for you.”

You could remember the men you knew who died in the fighting around Pozoblanco; but it was a joke at Gaylord’s.

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