FOR WHOM THE BELL TOLLS by Ernest Hemingway

What nonsense, he thought. What rot you get to thinking by yourself. That is really nonsense. And maybe it isn’t nonsense too. Well, we will see. The last time I slept with a girl was in Madrid. No it wasn’t. It was in the Escorial and, except that I woke in the night and thought it was some one else and was excited until I realized who it really was, it was just dragging ashes; except that it was pleasant enough. And the time before that was in Madrid and except for some lying and pretending I did to myself as to identity while things were going on, it was the same or something less. So I am no romantic glorifier of the Spanish Woman nor did I ever think of a casual piece as anything much other than a casual piece in any country. But when I am with Maria I love her so that I feel, literally, as though I would die and I never believed in that nor thought that it could happen.

So if your life trades its seventy years for seventy hours I have that value now and I am lucky enough to know it. And if there is not any such thing as a long time, nor the rest of your lives, nor from now on, but there is only now, why then now is the thing to praise and I am very happy with it. Now, ahora, maintenant, heute. Now, it has a funny sound to be a whole world and your life. Esta noche, tonight, ce soir, heute abend. Life and wife, Vie and Mari. No it didn’t work out. The French turned it into husband. There was now and frau; but that did not prove anything either. Take dead, mort, muerto, and todt. Todt was the deadest of them all. War, guerre, guerra, and krieg. Krieg was the most like war, or was it? Or was it only that he knew German the least well? Sweetheart, chérie, prenda, and schatz. He would trade them all for Maria. There was a name.

Well, they would all be doing it together and it would not be long now. It certainly looked worse all the time. It was just something that you could not bring off in the morning. In an impossible situation you hang on until night to get away. You try to last out until night to get back in. You are all right, maybe, if you can stick it out until dark and then get in. So what if you start this sticking it out at daylight? How about that? And that poor bloody Sordo abandoning his pidgin Spanish to explain it to him so carefully. As though he had not thought about that whenever he had done any particularly bad thinking ever since Golz had first mentioned it. As though he hadn’t been living with that like a lump of undigested dough in the pit of his stomach ever since the night before the night before last.

What a business. You go along your whole life and they seem as though they mean something and they always end up not meaning anything. There was never any of what this is. You think that is one thing that you will never have. And then, on a lousy show like this, co-ordinating two chicken-crut guerilla bands to help you blow a bridge under impossible conditions, to abort a counteroffensive that will probably already be started, you run into a girl like this Maria. Sure. That is what you would do. You ran into her rather late, that was all.

So a woman like that Pilar practically pushed this girl into your sleeping bag and what happens? Yes, what happens? What happens? You tell me what happens, please. Yes. That is just what happens. That is exactly what happens.

Don’t lie to yourself about Pilar pushing her into your sleeping robe and try to make it nothing or to make it lousy. You were gone when you first saw her. When she first opened her mouth and spoke to you it was there already and you know it. Since you have it and you never thought you would have it, there is no sense throwing dirt at it, when you know what it is and you know it came the first time you looked at her as she came out bent over carrying that iron cooking platter.

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