FOR WHOM THE BELL TOLLS by Ernest Hemingway

“Qué va, go together,” she said. “I will see thee at the camp.”

Robert Jordan stood there.

“Is she all right?” he asked Maria. “She looked ill before.”

“Let her go,” Maria said, her head still down.

“I think I should go with her.”

“Let her go,” said Maria. “Let her go!”

13

They were walking through the heather of the mountain meadow and Robert Jordan felt the brushing of the heather against his legs, felt the weight of his pistol in its holster against his thigh, felt the sun on his head, felt the breeze from the snow of the mountain peaks cool on his back and, in his hand, he felt the girl’s hand firm and strong, the fingers locked in his. From it, from the palm of her hand against the palm of his, from their fingers locked together, and from her wrist across his wrist something came from her hand, her fingers and her wrist to his that was as fresh as the first light air that moving toward you over the sea barely wrinkles the glassy surface of a calm, as light as a feather moved across one’s lip, or a leaf falling when there is no breeze; so light that it could be felt with the touch of their fingers alone, but that was so strengthened, so intensified, and made so urgent, so aching and so strong by the hard pressure of their fingers and the close pressed palm and wrist, that it was as though a current moved up his arm and filled his whole body with an aching hollowness of wanting. With the sun shining on her hair, tawny as wheat, and on her gold-brown smooth-lovely face and on the curve of her throat he bent her head back and held her to him and kissed her. He felt her trembling as he kissed her and he held the length of her body tight to him and felt her breasts against his chest through the two khaki shirts, he felt them small and firm and he reached and undid the buttons on her shirt and bent and kissed her and she stood shivering, holding her head back, his arm behind her. Then she dropped her chin to his head and then he felt her hands holding his head and rocking it against her. He straightened and with his two arms around her held her so tightly that she was lifted off the ground, tight against him, and he felt her trembling and then her lips were on his throat, and then he put her down and said, “Maria, oh, my Maria.”

Then he said, “Where should we go?”

She did not say anything but slipped her hand inside of his shirt and he felt her undoing the shirt buttons and she said, “You, too. I want to kiss, too.”

“No, little rabbit.”

“Yes. Yes. Everything as you.”

“Nay. That is an impossibility.”

“Well, then. Oh, then. Oh, then. Oh.”

Then there was the smell of heather crushed and the roughness of the bent stalks under her head and the sun bright on her closed eyes and all his life he would remember the curve of her throat with her head pushed back into the heather roots and her lips that moved smally and by themselves and the fluttering of the lashes on the eyes tight closed against the sun and against everything, and for her everything was red, orange, gold-red from the sun on the closed eyes, and it all was that color, all of it, the filling, the possessing, the having, all of that color, all in a blindness of that color. For him it was a dark passage which led to nowhere, then to nowhere, then again to nowhere, once again to nowhere, always and forever to nowhere, heavy on the elbows in the earth to nowhere, dark, never any end to nowhere, hung on all time always to unknowing nowhere, this time and again for always to nowhere, now not to be borne once again always and to nowhere, now beyond all bearing up, up, up and into nowhere, suddenly, scaldingly, holdingly all nowhere gone and time absolutely still and they were both there, time having stopped and he felt the earth move out and away from under them.

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