FOR WHOM THE BELL TOLLS by Ernest Hemingway

I wonder what it is like up at Sordo’s. That’s what we all have to expect, given enough time. I imagine it is not too jovial up at Sordo’s. We certainly got Sordo into a fine jam with that horse business. How does it go in Spanish? Un callejón sin salida. A passageway with no exit. I suppose I could go through with it all right. You only have to do it once and it is soon over with. But wouldn’t it be luxury to fight in a war some time where, when you were surrounded, you could surrender? Estamos copados. We are surrounded. That was the great panic cry of this war. Then the next thing was that you were shot; with nothing bad before if you were lucky. Sordo wouldn’t be lucky that way. Neither would they when the time ever came.

It was three o’clock. Then he heard the far-off, distant throbbing and, looking up, he saw the planes.

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El Sordo was making his fight on a hilltop. He did not like this hill and when he saw it he thought it had the shape of a chancre. But he had had no choice except this hill and he had picked it as far away as he could see it and galloped for it, the automatic rifle heavy on his back, the horse laboring, barrel heaving between his thighs, the sack of grenades swinging against one side, the sack of automatic rifle pans banging against the other, and Joaquín and Ignacio halting and firing, halting and firing to give him time to get the gun in place.

There had still been snow then, the snow that had ruined them, and when his horse was hit so that he wheezed in a slow, jerking, climbing stagger up the last part of the crest, splattering the snow with a bright, pulsing jet, Sordo had hauled him along by the bridle, the reins over his shoulder as he climbed. He climbed as hard as he could with the bullets spatting on the rocks, with the two sacks heavy on his shoulders, and then, holding the horse by the mane, had shot him quickly, expertly, and tenderly just where he had needed him, so that the horse pitched, head forward down to plug a gap between two rocks. He had gotten the gun to firing over the horse’s back and he fired two pans, the gun clattering, the empty shells pitching into the snow, the smell of burnt hair from the burnt hide where the hot muzzle rested, him firing at what came up to the hill, forcing them to scatter for cover, while all the time there was a chill in his back from not knowing what was behind him. Once the last of the five men had reached the hilltop the chill went out of his back and he had saved the pans he had left until he would need them.

There were two more horses dead along the slope and three more were dead here on the hilltop. He had only succeeded in stealing three horses last night and one had bolted when they tried to mount him bareback in the corral at the camp when the first shooting had started.

Of the five men who had reached the hilltop three were wounded. Sordo was wounded in the calf of his leg and in two places in his left arm. He was very thirsty, his wounds had stiffened, and one of the wounds in his left arm was very painful. He also had a bad headache and as he lay waiting for the planes to come he thought of a joke in Spanish. It was, “Hay que tomar la muerte como si fuera aspirina,” which means, “You will have to take death as an aspirin.” But he did not make the joke aloud. He grinned somewhere inside the pain in his head and inside the nausea that came whenever he moved his arm and looked around at what there was left of his band.

The five men were spread out like the points of a five-pointed star. They had dug with their knees and hands and made mounds in front of their heads and shoulders with the dirt and piles of stones. Using this cover, they were linking the individual mounds up with stones and dirt. Joaquín, who was eighteen years old, had a steel helmet that he dug with and he passed dirt in it.

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